that was an old joke between them.
â
Youâre
Ricky?â Donata exclaimed. âMr. Farmingham kept mentioning a Ricky, but when I asked his boss, Mr. Turnbull, he didnât know anyone by that name.â
The Kobold executed a surprisingly elegant and old-fashioned bow. âAdalrik, actually. It means ânoble friend,ââ he said proudly. âBut my pal Clive here kept mispronouncing it, so I told him to just call me Ricky.â
Donata turned to the older man in surprise. âYou knew about him? I mean, youâd actually talked to him?â Sheâd figured the âfriendshipâ had only gone one way.
âOh, my, yes,â Farmingham said, light warming his dead eyes. âI discovered Rickyâs existence many years ago, soon after taking the job at the museum. Heâs been a great help to me.â
The Kobold blushed, much to Donataâs amusement. She hadnât even known Kobolds
could
blush. Live and learn.
âOf course,â the restorer added, âhis biggest gift to me has been in getting you to listen to me. Otherwise, I would have had to resort to haunting you, and Iâm not sure I would have been very good at it.â He looked at the ground. âIâm a bit shy, you know.â
Donata felt guilty from her hair down to her toes. âI am sorry, Mr. Farmingham. I couldnât understand you, but I should have realized you had something important to say to me. I should have been more patient.â Privately, she still suspected it was likely to be one of those things that seemed overwhelmingly crucial to the dead person, but in reality was only a trivial bit of unfinished business to the living. âWhy donât you just tell me now, and then youâll be able to move on the way youâre supposed to.â
âItâs about the painting,â Farmingham started to say.
Donata gritted her teeth. Not that damned painting again.
âSir, I tried to tell you before. The painting is perfectly safe. Itâs in a police evidence locker, all wrapped up and tucked away until the case comes up to trial.â
The restorer shook his head to and fro. âNo, you donât understand. It wonât be safe there. If they found out it was at the museum, they can find out itâs at the police station. And it canât be allowed to fall into the wrong handsâthat painting is like a ticking time bomb, just waiting to go off!â He wrung his hands and the Kobold took a step closer, as near as he could get without disrupting the circle, and glared at Donata.
Donata gestured at the ghost to calm down. âIâm sorry, Mr. Farmingham, but I donât understand whatâs so special about this painting. I researched the painter, and he wasnât terribly famous. The painting itself is valuable, but not unusually so. Why would anyone want it?â She didnât add that the thing was ugly as sin. She figured heâd seen the damn painting, so he knew that. Of course, there had been that weird vision sheâd seen when she touched it . . .
âThe painting is not what it seems.â Farmingham made a visible effort to compose himself. âIt is one of the lost Pentacle Pentimentos. And either the Council or the Cabal would kill to get their hands on it.â
Donata could feel herself turn pale.
Dear goddess.
Nobody wanted to get mixed up in Council business, not if they could help it. The Council was the ruling body for the Paranormal Allianceâeach major race had one representative on the Council, and the minor races were all represented by a Protector, who was designated by the Council itself. And then there were other lesser members who acted as administrative or policing personnel. Either a Dragon or a Witch always led the Council, since none of the other races wanted the position of Adjudicator Supreme. As purebred Witches, Donataâs own family had often held high positions in the