power.
People would lie down and bare their naked flesh. Invite me to dismember them. And if thy hand off end thee, cut it off: it is better for thee to enter into life maimed, than having two hands to go into hell, into the fire that never shall be quenched.
Write about yourself, Magdalena urges. If it helps, write in the third person. Tell me a story about a woman who happens to be named Jennifer White.
She is a reserved person. Some would say cold. Yet others welcomed that quality, saw it as a form of integrity. She thought either was a fair assessment. Both could be attributed to her training. Surgery requires precision, objectivity.
You donât get emotional over a hand. A hand is a collection of facts. The eight bones of the carpus, the five bones of the metacarpus, and the fourteen phalanges. The flexor and extensor tendons that maneuver the digits. The muscles of the forearm. The opposable thumb. All intertwined. Multiple interconnections. All necessary to the balance of motion that separates humans from other species.
But Amanda. She thinks of Amandaâs metacarpus, minus four sets of phalanges. A mutilated starfish. Does she cry? No. She writes it in her notebook. Amanda died. Fingerless . But the details wonât stick.
I stop, put my pen down. I ask Magdalena, Which neighbor was suspected in Amandaâs death? but she will not answer. Perhaps because I have asked and she has answered the question many times. Perhaps because she knows I will forget my question if she ignores it.
But I rarely forget that a question has been asked. When Magdalena ignores me, unfinished business lies heavy between us, disrupts our routine, hangs over us as we drink our tea. In this case, it pollutes the very air. For something is terribly wrong.
My notebook again. Fionaâs handwriting:
Came over today to find you uncharacteristically subdued. Anger we see a lot of. Bewilderment. And a surprising degree of intelligent acceptance. But rarely this resigned passivity.
You were slumped at the table, your face flat down, your hands hanging at your sides. I crouched down and put my arm around your shoulders, but you didnât move or say anything. Wouldnât answer any questions or give any sign you knew I was there.
Eventually you sat up, pushed back the chair, and slowly went up the stairs to bed. I didnât dare follow you. Didnât dare ask any more questions for fear of what you would reveal about the dark place you were residing in.
I had never been afraid like that. I wasnât always sure what you were thinking, but I could always ask, and sometimes you would even tell me. If the truth had the power to hurt, you made it palatable by your calm acceptance of it.
You donât really like me very much, do you? I asked you when I was fifteen. No, you said, and you donât like me very much either right now.
But weâll find each other again. And we did. If Iâd known that within a decade I would lose both you and Dad, would I have acted differently back then? Probably not. I probably would have gone out and gotten another tattoo.
That tattoo. You keep asking about it, Mom, so Iâll write it down here. Itâs a pretty good story. I already had two tattoos. There was the one I got with Eric when I was fourteen. You didnât know about that one. Itâs very discreetâon my left buttock. A tiny Tinker Bell. Well, I was fourteen.
Then when I was sixteen, the youngest freshman in my class at Stanford, I got another one, this time on my ankle. A cannabis sativa plant. Yes, you can guess why a kid really too young to be away from home would think that was cool.
But the rattlesnake. That was my junior year. Iâd done okay the first two years, better than Iâd done in high school socially, actually made some friends, did the things youâd expect. Drank too much. Slept around.
But in my junior year, things fell apart. My best friend had a sort of breakdown and