Trunk Music

Trunk Music Read Online Free PDF

Book: Trunk Music Read Online Free PDF
Author: Michael Connelly
the activities of the crime scene. He realized he truly reveled in his role. The start of a case always seemed to jazz him this way, and he knew how much he had missed it and craved it during the last year and a half.
    Finally, he put his thoughts aside and walked toward the ME’s van to talk to Matthews. There was a burst of applause from the Bowl as Sheherazade ended.
     
    The print shed was a World War II Quonset hut that sat in the City Services equipment yard behind the police headquarters at Parker Center. It had no windows and a double-wide garage door. The interior was painted black and every crack or crevice where light might come in was taped over. There were thick black curtains that could be pulled closed after the garage door was shut. When they were pulled, the interior was as black as a loan shark’s heart. The techs who worked there even referred to the place as “the cave.”
    While the Rolls was being unloaded from the OPG truck, Bosch took his briefcase to a workbench inside the shed and got the phone out. The Organized Crime Investigation Division was a secret society within the greater closed society of the department. Bosch knew very little about OCID and was acquainted with few detectives assigned to the unit. The OCID was a mysterious force, even to those within the department. Not many knew exactly what it did. And this, of course, bred suspicions and jealousies.
    Most OCID detectives were known in Detective Services as big-footers. They swooped down to take investigations away from detectives like Bosch, but they didn’t often make cases in return. Bosch had seen many investigations disappear under their door with not many prosecutions of OC wise guys resulting. They were the only division in the department with a black budget — approved in closed session by the chief and a police commission that largely followed his lead. From there, the money disappeared into the dark, to pay for informants, investigations and high-tech equipment. Many of their cases disappeared in that netherworld as well.
    Bosch asked the communications operator to connect his call to the OCID supervisor on call for the weekend. As he waited for the patch through, he thought again about the body in the trunk. Anthony Aliso — if that was who it was — had seen it coming and closed his eyes. Bosch hoped it wouldn’t be that way for himself. He didn’t want to know.
    “Hello,” a voice said.
    “Yes, this is Harry Bosch. I’m the D-three on a homicide call out in Hollywood. Who am I speaking with?”
    “Dom Carbone. I’ve got the weekend call out. You going to spoil it?”
    “Maybe.” Bosch tried to think. The name was vaguely familiar but he could not place it. He was sure they had never worked together. “That’s why I’m calling. You might want to take a look at this.”
    “Run it down for me.”
    “Sure. White male found in the trunk of his Silver Cloud with two in the back of the head. Probably twenty-twos.”
    “What else?”
    “Car was on a fire road off Mulholland. Doesn’t look like a straight robbery. At least, not a personal robbery. I got cards and cash in the wallet and a Presidential on his wrist. Diamonds at every hour on the hour.”
    “You’re not telling me who the stiff is. Who’s the stiff?”
    “Nothing confirmed yet but —”
    “Just give it to me.”
    Bosch had trouble not being able to put a face with the voice over the phone.
    “It looks like the ID is going to be Anthony N. Aliso, forty-eight years old. Lives up in the hills. Looks like he has some kind of company with an office at one of the studios down on Melrose near Paramount. TNA Productions is the name of his outfit. I think it’s over at Archway Studios. We’ll know more in a little while.”
    He only got silence in return.
    “Mean anything?”
    “Anthony Aliso.”
    “Yeah, right.”
    “Anthony Aliso.”
    Carbone repeated the name slowly, as if it were a fine wine he was tasting before deciding whether to accept
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