scratch pad, pausing
now and then to look at the faraway earth, pencil poised against her lips and then
writing again. It went on for some time, and finally Johnnyâs curiosity got the
better of him. He stood up quietly, but an air bump made him clutch his chair.
She caught the motion and, in a flurry of embarrassment, wadded the paper into
a ball.
âLetâs see it,â said
Johnny.
She shook her head,
tightening the wad. He reached out his hand, but before he had reached her, she
had already lowered the window an inch and the white ball fled back and away.
âWhat were you
writing?â said Johnny.
âNothing.â
âYou might at least
confide in me. I have some rights.â
âIt wasnât anything,â
she said, cheeks turning a deeper hue.
âIt must have been,â
said Johnny.
âIt . . . it was some
poetry,â she faltered.
He looked her askance
and sat down, changing his attention to the Black Hills which slowly rose out
of the horizon ahead. She pushed her hands down into the pockets of Irishâs
flying jacket and studied Johnny.
âYou donât believe
me,â she decided at last. âMaybe you thought I was framing a message or
something. But, honest, it was poetry. This is the first time I have ever flown
over the United States.â
âWhy donât you give me
a break?â said Johnny. âIâm on your side.â
âYou werenât this
morning,â she reminded him.
âAw, canât a guy blow
off the steam of a hangover if he wants? And besides, it was funny that Iâd
pick you up and have my first bad luck in the movie business all at one and the
same time. Give me a break. Whatâs your name and whoâs after you, and why? I
got influence, sometimes.â
âYou . . . you
couldnât ever help me out of this . . . but then, Iâve said too much already.â
âIs it some smuggling
outfit?â
âNo.â
âMaybe itâs
espionage.â
âN-No.â
âMaybe itâs the
police.â
She didnât answer, and
he showed immediate interest. âAre the cops after you?â
âThereâs no use trying
to find out. It would be worth your life to know.â
âIâve got some
rights,â persisted Johnny, with a slow smile. âAfter all, when you pick up a
ship at sea, you got rights. And I picked you out of the drink. Salvage, thatâs
what. Iâve got salvage rights on you. And you wonât even tell me your name.â
âDonât make me tell,â
she pleaded. âIt . . . it would be the end of you.â
Johnny considered her
calmly. âSomething on the order of Medusa , eh?â
She was startled.
âOh, cameramen can
read, too,â smiled Johnny.
âI may be a Medusa,
but perhaps you arenât Perseus .â
âI donât want your
head,â said Johnny, âand I doubt that youâd turn me to stone. I only want to
know whatâs in it.â
âDoes the right of
salvage include that, too?â
âIt does,â said
Johnny, âbut definitely.â
âThen, someday, if I
live, perhaps Iâll tell you.â And that was all she would say.
Chapter
Four
A GAINST the evening sky they
could see the rosy glow of flame and before they had traveled much further,
even at this height the smoke began to sting their eyes. And then, as they
climbed, the whole earth below, it seemed, was one vast blanket of flame. To
the north, like lightning, the crown fire was running. To the south the dead
earth smoldered.
The girl stared down,
appalled, feeling small and weak before this panorama of seared mountains. The
drone of their engine seemed small and when the heat currents began to buffet
their wings, knocking them about the sky, her heart stood in her throat, lest
they be thrown down to cook in this hell. It was hot enough at three thousand
feet.
Steadily Irish