children."
"My goodness," said Lucy, recalled to her grim task. "Bill, I've got some bad news. Terrible news."
He straightened up and turned to face her.
"Monica was there," said Lucy, her voice breaking. "She died in the fire."
He shook his head, refusing to believe her. "It must have been somebody else. A vagrant or something. Monica was never there except in the summer."
"She was there. They've identified her." Tears were now run¬ning down her face.
"Where did you hear this?" Bill's voice was sharp.
"On the radio."
His face went white and slack; he looked as if he'd been kicked in the stomach. Then his jaw tightened and he turned away, facing the wall. Raising his fist, he slammed it against the tough old horsehair plaster, raising a cloud of dust.
Lucy reached up and touched his shoulder. He spun around and drew her against him, burying his face in her hair. They clung together for a long time. Finally, he pulled himself away and began to pace.
"Dammit," he said, suddenly stricken with guilt. "It was my fault. There was no smoke alarm in that house. They changed the code a year or two later. If I'd thought to put one in she might have lived. At least she would have had a chance to get out."
"It's not your fault. You did everything you were supposed to. She was just in the wrong place at the wrong time."
"Damn. I hate fires."
"I know," said Lucy, thinking once again of the flames, remorselessly consuming everything and leaving only ashes. And bones. She shivered. "Do you want to take the day off? We could go for a ride or something—something to take our minds off the fire." She wiped her face with a crumpled tissue she'd found in her pocket.
"Thanks," he said, gently caressing her shoulder. "I'd rather work. I've got some old ceiling tile upstairs that has to come down. Today seems like a good day to rip a building apart."
"Just be sure you stop with the ceiling tile," said Lucy, attempting a feeble joke. "I don't want you to tear down the whole place."
"I'm not guaranteeing anything," said Bill, pulling a crowbar out of his toolbox and picking up the battered old tape player he kept on the job. "You'd better get out of here if you don't want Zoe to wake up. I'm gonna play some AC/DC—real loud."
"Be careful," cautioned Lucy. "We don't need any broken bones."
"See ya later," he said, mounting the stairs.
Back in the car, heading for home, Lucy could think of nothing but the fires. Sue was wrong. These fires weren't just happening. She was sure someone was setting them. But who? What sort of person would do such a thing? Did he stand in the dark, watching as the flames grew stronger, listening for die wail of the sirens? Why did he do it? Was he frightened, now that someone had died? Or was he thrilled by the fact that he had taken a human life? Would Monica's death spur him on to set more fires?
Pulling into her driveway, Lucy regarded her own comfortable home. A spacious white clapboard farmhouse, it had been built in the 1850s, just before the Civil War. The builder was known to have had strong abolitionist sympathies, and some people believed the house had been a stop on the Underground Railroad.
Lucy loved her house. She loved the fact that it was old, and die thought of the many generations it had sheltered reassured her. To her the house was a tangible link to the past, and a launching pad for the future. More than a wedding ring, or a big diamond, it was proof of the commitment she and Bill had made to each other. The house had been in terrible shape when they bought it, a real handyman's special, and they had labored together to make it a home.
We could be next, she thought, feeling very vulnerable. The house, after all, was nothing but wood. Mostly old wood. Like the others, it would go up in a flash We're not safe. Nobody's safe, she thought, nobody who lives in an old house.
She shifted into park, switched off the engine, and began to unfasten the straps that