youâre paralyzed and youâre watching it all going on and you know exactly what is going to happen to you but you canât move, thereâs not a fucking thing you can do.â
The customs man rolls the numbers back around on the combination lock.
âWell, there you go then. And give my best to your old man. Spike Mattock, would you believe it? One of us made it. Bloody fucking marvelous, isnât it? It makes you feel proud. Dawn and the girls are going to get a real kick out of this when I tell them.â He lifts the case down onto the floor.
âCould I have your autograph?â
A HAPPY ENDING
âFamous for fifteen minutes?â The head of A&R was expounding into the speakerphone, something that he very much liked to do. âFuck that, man. Everyoneâs gonna have their own fucking
TV
channel.â Behind his back they called him BB, short for Buddha Boy, because he was young and soft and fat and had a sweet, sly smile on his baby face like he could bring you back in your next life as a prince or a peanut as soon as look at you. Which, musicbizly speaking, he could, that being the A&R manâs job. Smiling benignly at the present beneficiary of his divine intervention, the Comeback Artist du jour, who was sitting upright in his chair on the other side of the enormous desk, BB leaned back in his leather swivel chair, feet on the desk-edge, swaying his hips from side to side to some private rhythm, like a fat housewife at the gym.
Cal Westâs dark suit, pale face, hands folded precisely in his lap, made him look more like an undertaker than a rockstar poised for a second go. He was fifty years old and looked it, except for his anxious little small-child-dropped-off-at-the-school-gates eyes. His fingers were troubling him. They felt wet and sticky, like seawater. He watched BBâs hips swish forward and back like waves and a surge of seasickness rose in his throat.
There he was againâhis brother, in the corner of the room, slumped up against the life-sized Springsteen promo cardboard cutout with the stars-and-stripes bandanna in thejeans back pocket. He tried looking away, but he could still see him out of the corner of his eyeâgrotesquely swollen, the color of cold hamburger grease, sprinkled with sand, the top part of his torso leaning out of the black body bag at an unnatural angle. His brother winked and gave him the finger.
Cal spun around, looking for his shrink, but of course he wasnât there, this was a Cal Alone Day. He tightened his grip on his fingers, which were slithering about in his lap like squids, and focused for equilibrium on a platinum album on the wall. He tried to picture what David Letterman would do. David Letterman would tug on his cuffs, relax back in his chair, drape his arm across the armrest, and smile inanely. Which is what Cal did.
He jumped as the door behind him opened. âLater, gotta go,â BB said to the speakerphone. âJoel. My man. Come in.â He gestured a man into his office. âWe were just talking about you.â Joel was a record producer, trim, tanned, of indeterminate age, with an â80s gold satin jacket and a â90s shaved head and goatee. He strode up to BB, heartily swatted his legs off the desk, and bent down and gave him a bear hug. âLooking good, man. How ya doinâ!â
âIâm doinâ. Joel, meet Cal. Cal, Joel. Like Iâve been explaining to Cal, Iâm putting you guys together on this project.â
Joel strode over, clasped Cal on the shoulder, and perched on the corner of the desk, blocking the cardboard Springsteen from view. Cal tried to peer around him but couldnât see anything.
âMan, Iâm your biggest fan. Numero uno. Iâve listened to your tape, and thereâs some wicked shit on there. âThe Sea Sighs,â âDirty Orange Skyââtheyâre fucking ace,man. And âThe Old Man and the Seaââthat
A. C. Crispin, Kathleen O'Malley