drawer he wrote a shopping list.
Having checked the stove, he returned to the bedroom and slipped a holster and bullet pouch on his belt. He shoved his revolver into the holster and shrugged on a suit coat on his way out the door.
As he reached the freeway, he realized that he'd left the shopping list on the sink.
Travis Bailey, carrying a pump shotgun on his shoulder in duck-hunter fashion, led Carr and Kelly, who carried a black lunch pail, through the two-story Beverly Hills home. Carr figured that the living room alone was as big as his entire apartment. In it, pastel sofas had been picked to match the abstract art originals that covered the walls (or vice versa?). In the corner, an enormous aquarium built into the wall. It was equipped with fluorescent rocks and multicolored lights. In front of the facing wall, a bar with an inlaid-tile counter top.
Bailey spoke as if he were in a library. "Kelly, you've got the front door. Carr, you cover the bedroom window and the side of the house. I'll handle the rear. I've got a little stool so I can sit below counter level behind the bar...'areas of responsibility', so to speak. Agreed?"
The T-men nodded. Bailey stepped behind the bar next to the sliding glass door.
Carr and Kelly sauntered down the long hallway. Kelly took his post at the front door. "I don't like the whole operation, he whispered.
"Neither do I," Carr said.
Kelly pulled off his suit coat and hung it on a coat rack next to the front door. He adjusted the volume of the Treasury radio which was clipped to his belt, pinned his gold Treasury badge to his shirt pocket and rolled up his sleeves.
"We're here now," Carr said. "Might as well wait and see what happens."
"It all counts towards retirement," Kelly said. He unsnapped the latches on his lunch pail. It was filled with sandwiches. He offered one to Carr. "Help yourself. Meat loaf with lots of onion and green chiles. My favorite."
"Thanks anyway," Carr said. He strolled into the bedroom and sat down in a chair in the corner of the room. He checked his revolver and shoved it back in the holster. During the next two hours, Carr heard Kelly open and close his lunch pail three times.
The doorbell rang.
Carr jumped out of his chair and pulled his gun. He heard the sound of footsteps outside.
"He's heading for the rear," Kelly whispered from down the hall. Carr ducked below window level. Someone walked along the side of the house, turned right and continued toward the rear entrance. There was the sound of the sliding glass door opening.
"Police!" Bailey yelled. An explosion.
Carr ran toward the living room. There was another reverberating blast. As he entered the hallway, he saw Kelly slumped at the entrance to the living room. He was holding his chest. Carr stepped over him. Holding his revolver with both hands, he sprang into the living room.
Travis Bailey stood behind the bar aiming the shotgun at a bearded man lying in the middle of the room in a puddle of water, broken glass and flopping tropical fish. The man's left arm and half of his head were gone. The body convulsed. Pointing the weapon at the intruder, Bailey racked another round into the chamber of the shotgun.
Carr ran across the room. He snatched the shotgun out of the cop's hands. He flicked the safety on and tossed the weapon on the sofa. "He's dead," Carr said angrily.
He ran back to Kelly. The Irishman had pushed himself up so that his back rested against the wall. His left hand clutched his bloody chest. In his right he held his.38, barrel pointed toward the living room. His eyes were wide, his jaw set.
Carr dropped to his knees. Gently, he extricated the gun from Kelly's grasp. "He's dead," Carr said. "Everything's okay." He tore the Handie-Talkie radio off Kelly's belt and pressed the transmit button. "Stakeout Foxtrot Four. Shots fired. Agent down. Gimme an ambulance!"
An excited voice said, "Ten-four, Foxtrot." The radio beeped loudly three times.
Carr tossed the radio