Time Dancers
about everything, that’s what it meant. Everything in this world started for me right then, Miss C., and I want to say thank you, thank you for everything.” Mitch signaled one of the waiters, who brought a tray of glasses filled with champagne. Each glass was served and everyone but Carolina held a glass in the air. Mitch shouted, “To Miss C. and Mr. J.! May one live on and the other not be forgotten.”
    “Here! Here!” Owen Bramley said.
    “Second that!” Willie added.
    Geaxi and Opari made high-pitched trilling noises and clicked their tongues.
    I looked at Mitch. “Do you mean Scott Joplin is…dead?”
    “Yeah, Z. Mr. Joplin passed away two years ago, on the first of April.” Mitch took a sip of champagne and looked around, waving his hand toward the stage. “That’s why we’re here tonight, Z, and I plan on doin’ this every year from now on. I owe so much to the man. He taught me more than how to appreciate good music—he taught me how to appreciate life. He was a great man, Z.”
    “Indeed he was, Mitchell,” Carolina said. “He will be missed.” She raised her own glass to join in the toast. “And I’ve still got the opera packed away, Mitchell—you know where.”
    “Keep it safe, Miss C. Just keep it safe,” Mitch said with a wink. Then he was off again, to the kitchen this time, laughing and saying over his shoulder, “I got some oysters for you. Wait until you taste ’em. They’re straight from the Gulf—Apalachicola. If you need anything, these fellas in the aprons are here to get it for you. We got some other acts comin’—and the chorus line. Wait until you see that, Z,” he said to me and winked again, then pointed to the lapel of his tuxedo, the buttonhole where the white rose was pinned to my tuxedo. He turned and made his way through the crowd, shaking hands and making toasts along the way. I glanced at Opari and she nodded, acknowledging she’d seen the same thing.
    To our wonder and delight, both on and off the stage, it was the dancing that most fascinated all of us, especially Geaxi and Opari. Geaxi leaned over the table and asked Opari, “Have you ever seen such freedom and rhythm of movement? When you crossed through Persia, perhaps?”
    “No, no,” Opari said. “Never have I seen such passion and grace together. They are… trebe ?”
    “Skilled,” Geaxi translated.
    “Yes, skilled. They are skilled and still exploring.”
    Willie was absorbed by the sheer energy in the music and the dancers. “Bloody damn good, Z,” he blared across the table more than once.
    Star surprised everyone by not only listening and watching, but also joining in. Several times she jumped out of her seat and ran to the dance floor, mimicking the moves and dancing alongside the black women, who clapped and shouted and helped Star learn the steps.
    During a slow blues song, even Owen Bramley and Carolina made their way to the dance floor. I must say Owen stood out in the crowd like some sort of animated carrot, dancing and enjoying himself, but definitely to his own beat.
    Nova was enjoying the music as well, and yet she seemed more distracted than usual, constantly staring in a kind of trance at the stage curtains hanging behind the band. At one point, I happened to catch her unconsciously grabbing for her Stone, which she was wearing under her starched shirt. I’d never seen her do anything like that before.
    After two hours of continuous music and dancing, Mitch himself took the stage. He gave a short speech and tribute to Scott Joplin, then announced a break after the next tune, in honor of Mr. J., “Maple Leaf Rag.” He sat down and started playing the best ragtime piano I’d ever heard, leading the band through the whole tune. By the end of the first chorus, a line of eight showgirls, dressed in matching black tuxedos, black top hats, and black masks hiding their eyes, came dancing across the stage twirling canes and kicking up their legs. They each had a rose in their
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