touch.
The bony Botticelli bent down, picked up some kind of wrench and brandished it at me. ‘Hold it right there!’ she shouted.
I stopped in my tracks. ‘Don’t worry,’ I said, and almost followed this with, I come in peace , but stopped myself just in time; might I be just a little bit stoned still? It was possible. ‘I mean you no harm.’
‘Don’t come any closer!’ she yelled, waving the wrench. Jesus, the woman was jumpy.
‘It’s OK,’ I said soothingly, holding up my hands. ‘I’ll stay right here.’
‘Who are you? What do you want?’
‘I just met the kid out on the road. He said you had a flat tyre and I came to see if I could help. That’s all. I—’
She half turned, still keeping her eyes on me, and let off a long speech, to the kid, in French. Ari replied and I noticed that he didn’t seem to stammer in French. Interesting, I caught myself observing. Non , Ari kept saying, in a slightly exasperated tone. Non, Maman, non .
‘How did you find me?’ she shouted.
‘Huh?’
‘Who sent you?’
‘What?’ I was confused now. We seemed to be stuck in a bad spy novel. ‘No one.’
‘I don’t believe you. Somebody’s put you up to this. Who is it? Who knows I’m here?’
‘Look,’ I said, fed up now, ‘I have no idea what you’re … I was just passing and I saw a kid all on his own at the side of the road and I stopped to see if he was OK. He mentioned the flat and I thought I’d come see if you needed any help. By the looks of things,’ I gestured towards the van, ‘you’ve got it covered so I’ll head off.’ I raised my hand. ‘You have a good day.’ I turned to the kid. ‘Goodbye, Ari. It was nice meeting you.’
‘G–’ he tried, ‘g-g-g—’
I looked him in the eye. ‘You know what you can do if you get tripped up by the first letter of a word?’
Ari looked at me, with the trapped, ashamed gaze of a stutterer.
‘Substitute something easier, something that launches you off on a different sound. I’ll bet,’ I said, ‘that a smart boy like you can think of lots of other ways to say “goodbye”.’
I turned and headed off down the track.
Behind me, Ari shouted, ‘See you!’
‘Perfect,’ I threw back over my shoulder.
‘ Hasta la vista! ’ he shrieked, jumping up and down.
‘You got it,’ I said.
‘So long!’
I turned and waved. ‘Take care.’
‘Au revoir!’
‘Adios.’
I got around the first bend before I heard feet behind me. ‘Hey!’ she called. ‘Hey, you.’
I stopped. ‘Are you coming after me with your monkey wrench? Should I be scared?’
‘What’s that you’re carrying? Is it a camera? I know it’s a camera. I want you to take it out and remove the film, here, in front of me, so that I can see you do it.’
I stared at her. My main thought was for Ari: should he really be living with someone so totally loco? No wonder the kid had challenges with verbal fluency, living with a mother suffering such extremes of paranoia, such delusions, such fears. A camera? Remove the film? Just for a moment, though, as we looked at each other, something flickered across her face that seemed familiar: the slight dipping of her eyebrows into a frown. I’d seen that expression before. Hadn’t I? Did I know this woman? A disconcerting notion, when you’re in the middle of nowhere, thousands of miles from home.
‘Is it a camera?’ she insisted, pointing at my hands.
I looked down and saw, to my surprise, that I was holding Grandpa’s taped box. I must have reached for it as I got out of the car. He’d always liked a little air, had Grandpa.
‘It’s not a camera,’ I said.
She narrowed her eyes, for all the world like a police interrogator. ‘What is it, then?’
I gripped the now-familiar cube of cardboard, taped over its planes, slightly softened at the corners. ‘If you must know,’ I said, ‘it’s my grandfather.’
She pursed her lips, raised her eyebrows: a minuscule arching inflection of her face.