scarf’s edges were embroidered by Nina Sergeevna. For goodness’ sake, thought Oksana, why did she waste her time on this embroidery? Who’s going to see it? Who’s going to see me? Her future of endless toil, without romance or happiness, flashed before her eyes. A messy office with bookkeeper Dina, an aging beauty from the provinces whose daughter refused to speak to her; her boss Olga, an emaciated workhorse with bags under her eyes, darting from client to client in a broken-down car. And the clients, wives of the new Russians, with their dreams of garden gnomes and potted junipers as seen in soap operas and their contempt of simple Russian trees. Suddenly Oksana reached for her never-used cosmetics purse and brushed her lashes thickly with mascara, shook out her damp hair to create a wave, applied her mother’s blush to her cheekbones, painted her lips generously. Why she was doing all this, for whom, Oksana didn’t know. New Year’s Eve. New dress. Black hair down to her waist. Big, rosy mouth.
Oksana stepped into the hall. The usual bangs and screams could be heard from the apartment downstairs. Oksana opened the door to her mother’s room. Nina’s eyes widened. “Klavochka!” she yelled in the direction of the kitchen. “Come here! Our princess has put on your dress.”
Klava pursed her lips into a tight smile and announced, “Like Penélope like Cruz.” The Moscow
like
had become Klava’s default expression of strong emotion.
Nina Sergeevna laughed with delight. “Once, at the dacha, years ago,” she said, “we all decided to go mushroom picking, and our neighbor Vera—she was at least eighty at the time—dashed over to the mirror and started painting her lips. My mother said to her, ‘Aunt Vera, we are going to the woods; who’s the lipstick for?’ And Vera replied—I’ll never forget it—‘Who knows? Maybe that’s where
it
will happen!’”
Klava pursed her lips again, Oksana shrugged, and the doorbell rang. Nina opened the door a crack and saw a strange youngman.
“A happy New Year to you, ma’am,” said the man. “You should call the cops: somebody’s getting killed downstairs.”
“Don’t worry, the cops stopped coming here a long time ago. They’ll come when someone finally dies, they told us,” said Oksana’s mother, shutting the door and then rushing to the kitchen, where the chicken was burning. The doorbell rang again and kept on ringing. Oksana sighed, grabbed the phone, and shuffled to the door. Alcoholics are human, too, she thought—let them use the damn phone.
The young man was still standing on the doorstep, holding his expensive leather suitcase. When he saw Oksana, his jaw dropped. “Excuse me,” he mumbled, “may I speak with you?”
“What is it?” Oksana asked impatiently.
Suddenly Klava began screaming, “Misha!” Downstairs a man drunkenly yelled, “Friend, friend, come back!” and a woman begged them to call an ambulance—their own phone had been disconnected. Klava continued screaming, “Misha, is that you?”
The stranger nodded silently, staring at Oksana, unable to say a word. “May I come in?” he finally asked—the voices from downstairs were approaching. Oksana sighed and stepped aside.
“Babushka, please stop yelling; let me get undressed,” said Misha. Then he addressed Oksana: “May I ask your name, Miss?”
Oksana looked at him with her enormous eyes, straightened her long neck, and answered quietly, “Xenia.”
“Xenia,” repeated Misha. “What a lovely name. I need nothing else in this life.”
Klava was brought to the scene. Oohs and aahs, hugs and kisses followed, along with Misha’s assurances that Klava would have a new apartment; that everything would be taken care of—here are some presents for everyone.
Mama Nina observed her daughter and wondered where this new slow grace in her movements had come from, the twinkles in her laughing black eyes, the wave in her hair, the gorgeous dress. . . . Of