like people."
      "I am losing my mind," he said. "For a few minutes there everything seemed to make sense, but clearly I have gone over the edge."
      "The edge of what?" she asked curiously.
      "Of sanity."
      "I think I had better take you home, Salvador, before you convince yourself that you've gone mad." She reached out and took him by the hand. "Come this way."
      She walked ten paces to the left, then ten to the right. Then she led him in a large circle.
      "But we're right back where we started," said Dali, puzzled.
      "Do you really think so?" asked Jinx.
      "It's obvious," said Dali.
      "Then why are you standing next to the door at the back of your closet?"
      He turned and was astonished to find the door, standing all by itself, about ten feet from the birch tree. He reached out tentatively, half-expecting it to be an illusion, and his hand made contact with the knob.
      "It's a door!" he whispered in awe.
      "Of course it is," said Jinx. "I told you I'd take you back to your home."
      He opened it, stepped through, and found himself standing in his closet. "Come along," he said to Jinx, waiting for her to join him before closing the door.
      "This is a very strange place," said Jinx.
      "In what way?" asked Dali.
      "The rooms are square, the walls are straight, and all the rooms have ceilings," said Jinx, frowning in puzzlement. "It's like a very weird dream."
      "It is?"
      "Absolutely," she said. "I'll bet your chair doesn't even talk to you."
      "No, it doesn't."
      "And the rugâwhy is it so big?"
      "To cover the floor," said Dali.
      "Is the floor that ugly?"
      "No."
      "Then why don't you have a little rug, maybe the size of a pillow?" she asked. "You could just order it to keep moving under your feet whenever you walked, so you wouldn't have to walk on the wood floor unless you wanted to."
      Dali had been listening intently. Finally he smiled.
      "Can I get you something to eat or drink?" he asked solicitously. "I have a feeling we've got a lot to talk about."
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Chapter 5: When the Ludicrous Isn't
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      Dali prepared tea for Jinx and poured himself a glass of wine from two different bottles, one red, one white.
      "Why do you drink that?" she asked, indicating his miscolored wine, when he rejoined her in the studio. "It can't taste very good."
      "I drink it because no one else does."
      "But maybe there is a reason why no one else does," she persisted.
      "Reason and consistency are the twin hobgoblins of little minds," he replied disdainfully. "I do not smoke my cigarettes through a twelve-inch holder because it makes them taste better, or because it is easy to manipulate. I do it because it adds to all the things that make me Dali." He paused. "I do many such things. Once when I saw the carcass of a bat in the park, I ran over, picked it up, and took a bite, just to see what it tasted like."
      "How could that possibly help you as a painter?"
      "I must experience things than no one else experiences if I am to paint things no one else paints."
      "It sounds good," she admitted. "But I really don't see the connection."
      "You are very young."
      "Will a dead, rotting