and even Sister Brigid, who, while a nun â which is just plain weird â actually seems nice. I wonât tell him about Ginnie Perkins, though. I donât want to think about her or her friends on my weekends. Monday to Friday is bad enough.
I lie back again, knowing itâs always easier if I donât have to look at him. His green eyes. His floppy hair. âOne girl, Tara, is cool. She barracks for the Falcons ââ
âLoser.â
I shoot him the required filthy and continue. âWeâre going to Fernlee Park next week â to watch the Falcons train. She says theyâre just walking around like anybody else.â
Josh laughed, half snort, half chuckle. âWhat, like real people?â
âYou know what I mean.â
âAnyone else?â
âGeez, you want blood? No, thereâs no one else. Itâs only been a week.â
Silence settles naturally then. Our usual arrangement of him being annoying and me shutting him down is reassuring. Maybe not everything has changed after all.
âThe kids at school asked about you.â
âWho?â I try to sound like I donât care.
Josh hesitates a second too long, like heâs struggling to come up with some names. âJulie . . . and Sam.â
A fly hovers near my eyes, my nose. I brush it away but it refuses to give up. âThey didnât care much when I was there. Barely talked to them all last year.â
âWell, they asked. They wanted to know why you left â after . . . all this time.â
He means since the accident. Why it took almost two years to leave. I shrug and push my hair off my face. âI have to have a reason?â
Josh shakes his head. I almost feel sorry for him. Heâs trying to say the right thing but thereâs no right thing to say. âThe boys at the club have been asking, too.â
This one cuts like he knew it would. My heart ices over and I donât feel sorry for him anymore. The fly buzzes and hovers, its fat body slow and lethargic as I try to wave it away. âBloody flies!â
âThey asked if you were coming back.â
I roll away from Josh and face the edge of the track. The way the white paint bites deep into the turf, as though the weight of the paint flattened it and not the line machine that drew it.
âJesus, Shell.â
âWhat?â
Josh nudges me to face him, fixing me in that green-eyed stare. âYou know what.â
âI tried, didnât I? Gave it a year â almost two. They didnât treat me the same. Like some of me was missing or gone. Like I was less than what I used to be.â I shake my head, the memory of it sitting like a rock in my chest. âIâm done with them â with all of them, even the Raiders. Especially the Raiders.â
âHow can you just be done ? Thatâs not how it works.â
âIâve drawn a line, Josh. Between before . . . and after. Then. And now.â
âIs that you talking or your dad?â
I sit up, tuck my knees under my chin, tight and small. âMe.â
âIt doesnât sound like you.â
My shoulders lift and fall almost involuntarily. âIâve changed.â
âI can see that.â
I ignore the wave of panic that threatens to topple me. I want to claw it back, claw him back to where we were. Except thereâs that line, and Iâve drawn it. We all have.
After a long minute, Josh says, âMum wanted to invite you and your dad to our house.â
âSheâll have to ask Dad.â
âIâm asking you.â
âWhy? Itâs not up to me.â
âI guess she thinks it kind of is.â
I frown at him. âWhy? When is it?â
Josh is beside me now, forcing me to look at him. âThe eleventh.â
âOf what?â
Josh doesnât need to answer that. I already know.
âJune.â He says it quietly, like something sacred.
Itâs weeks away.
Editors of David & Charles