disease itself, like a stray dog following a sausage-maker. After all, what with no food and no water, there was nothing inside me to come out, and so my body was spared the convulsions of the diarrhoea and I survived.
I fully appreciate that I must have been an unlovely companion while the disease was on me, but from that day to this I have not been able to forgive the attitude of the goats and donkeys towards me, which was little short of downright offensive. Did they come and bleat reassuringly over me, and soothe my fevered brow with their tongues, like they are supposed to do in the old stories? Did they hell. They all backed away into the far corner of the stable and didn’t even come across to eat the leaves and bean-helm in their mangers, and the hungrier they got, the more they seemed to blame me. This made me feel absolutely dejected, as you can imagine, and for a while I felt like giving the whole thing up.
On the seventh day of my sickness the maid stopped bringing food and water and I resigned myself to death, which was not a concept I had given much thought to previously. I remember thinking that it would be nice not to have to go to school any more, but that it would be rather a shame that no one would ever see one of my Comedies. However, I consoled myself with the thought of meeting my father again beside the waters of the Styx, always assuming that I could recognise him after so many years. Then I started worrying about how on earth I was going to pay the fare, since Charon the Ferryman takes nobody across the river unless he pays his obol. Then I remembered hearing somewhere (I think it was in a Comedy) that Charon had finally retired and that an Athenian had bought his pitch, increasing the fare (naturally enough) to two obols, but letting Athenians across for free. This comforted me greatly, since I had been greatly distressed at the thought of spending the rest of time on the wrong side of the river with all the murderers and parricides and people who hadn’t been buried properly, and so I settled back to die in peace.
Now I hadn’t slept at all since the disease started, and I think I must have fallen asleep then, for I swear I saw Dionysus himself standing over me, leaning on his vine-wood staff and wearing a Comic mask and boots, with the floppy leather phallus which all the actors wear in the Comedies dangling from his groin. He seemed very big and fierce and jolly, but I wasn’t frightened by him, or particularly surprised to see him there at all.
‘Cheer up, Eupolis of Pallene,’ he said, and the whole stable seemed to shake, like those caves down south that are supposed to vibrate to the pitch of your voice. ‘Pull yourself together and stop snivelling; you’ll have to put up with far worse things than this before you see the last of me — in the front row of the Theatre when they hiss that clever Chorus of yours, and in the walled orchard, of course. But remember, you owe me some prizes which you must pay, and I’ve hand-reared you from a puppy to write me a Comedy or two. If you die now and leave me to make do with that idiot Aristomenes, I’ll never forgive you.’
I wanted to promise but I couldn’t speak; so I nodded, and kept on nodding, and then I was definitely asleep, because I remember waking up. And when I did wake up, I knew that I was going to live; just as you can feel when you walk into a house whether anyone lives there or not. I know that I just lay there for a very long time, filled with a joy that kept me warm and made me forget how hungry and uncomfortable I was; not because I had escaped death and was clear of the pain of the disease, but because I had seen the God of Comedy and been promised success. It had been well worth the disease, I reckoned, to get that promise.
After a long, long time I remembered that I was starving hungry, and I thought it was time to do something about it. I started shouting at the top of my little voice that I was well again and