ââThe Vampyreâ. But - but that was just fiction . . .â
âReally? Fiction? Is that so?â The man twisted his mouth into a grin of terrible bitterness. âAnd who wrote it, this fiction?â
âA man called Polidori.â
The man grinned again. âSuch fame, such posthumous fame!â He pressed his face close to Rebeccaâs, the acid as thick as ever on his breath. âAnd this Polidori,â he whispered, âwho was he?â
âThe personal physician to . . .â
âYes? Yes?â
âTo Byron. Lord Byron.â
The man nodded slowly. âSo he would have known what he was talking about, donât you think?â He held Rebeccaâs cheeks. âThat was what your mother thought anyway.â
Rebecca stared at him. âMy mother?â she whispered.
The man pulled on her arm, so that she almost fell. âYes, your mother, of course, your mother. Come on,â he muttered, âyou bitch, come on.â Again Rebecca struggled and managed to break free. She began to run. âWhere are you going?â the man screamed after her. Rebecca made no answer, but still the sound of the manâs laughter pursued her across the bridge. Traffic and blank crowds, nothing else. She flagged down a taxi. âWhere dâyou want?â the driver asked. Rebecca swallowed. Her mind seemed empty - and then she knew. âMayfair,â she whispered, as she climbed into the back. âThirteen, Fairfax Street.â She clutched herself, and shivered, as the taxi pulled away.
Chapter II
The Vampire superstition is still general in the Levant. The Romaic term is, âVardoulachaâ. I recollect a whole family being terrified by the scream of a child, which they imagined must proceed from such a visitation. The Greeks never mention the word without horror.
LORD BYRON, NOTES TO The Giaour
I t is, of course, dangerous to walk too close to a vampire.â
The same beautiful voice Rebecca had heard in the crypt. She would have braved any peril to hear it. She understood what it was to hear the sirensâ song.
âBut you realise that, of course. And still you have come.â The voice paused. âAs I hoped - and feared - you would.â
Rebecca walked across the room. From the shrouded gloom, a pale hand flickered in a gesture at her. âWonât you sit down, please?â
âI would prefer some light.â
âOf course, I forget - you donât see in the dark.â
Rebecca pointed towards the curtains, and Londonâs distant hum. âCan I draw them?â
âNo, you will let in the winter.â Rebecca watched as the figure rose to his feet and limped across the room. âThe English winter - ending in June, to start in July.
You must excuse me - I canât even bear to glimpse it. I have been too long a creature of sunnier climes.â There was the spurt of a match, and Rebecca recognised the back of the man she had watched on the Embankment that night. Light, in a golden wash, flickered across the room. The figure stayed bent as he tended the flame. âI hope you donât object to the lamp,â he said. âI brought it back from my first trip abroad. There are times when electricity just doesnât seem right, donât you think?â
The vampire laughed and turned, and held the lamp up to his face. Slowly, Rebecca sunk back into her seat. There could be no doubt who she was staring at. The dark curls of his hair set off the ethereal paleness of his skin; so delicate were his features that they seemed chiselled from ice; no flush of colour, no hint of warmth touched the alabaster of his skin, yet the face seemed lit by some inner touch of flame. This was not the man who had died in the Missolonghi swamps, bald and overweight with rotting teeth. How had it happened that he was standing here now, miraculously restored to the loveliness of his youth? Rebecca drank in the sight of