little more than a supermarket and shopping mall, a multi-storey car-park and filling station. Shepperton, known to me only for its film studios, seemed to be the everywhere of suburbia, the paradigm of nowhere. Young mothers steered small children in and out of the launderette and supermarket, refuelled theircars at the filling-station. They gazed at their reflections in the appliance-store windows, exposing their handsome bodies to these washing machines and television sets as if setting up clandestine liaisons with them.
As I stared at this array of thighs and breasts I was aware of my nervous sex, set off by the crash, by Miriam St Cloud and the blind child. All my senses seemed to be magnified – scents collided in the air, the shop-fronts flashed gaudy signs at me. I was moving among these young women with my loins at more than half cock, ready to mount them among the pyramids of detergent packs and free cosmetic offers.
Over my head the sky brightened, bathing the placid roofs in an auroral light, transforming this suburban high street into an avenue of temples. I felt queasy and leaned against the chestnut tree outside the post office. I waited for this retinal illusion to pass, unsure whether to halt the passing traffic and warn these ruminating women that they and their offspring were about to be annihilated. Already I was attracting attention. A group of teenagers stopped as I blinked and clenched my fists. They laughed at my grotesque costume, the priest’s shiny black suit and the white sneakers.
‘Blake – wait for me!’
As I swayed helplessly, surrounded by these tittering youths, I heard Father Wingate shouting at me. He crossed the street, holding back the cars with a strong hand, his forehead glaring like a helmet in the overbright air. He ordered the teenagers away and then stared at me with the same expression of concern and anger, as if I were some deviant usurper he was bound by a strange tie to assist.
‘Blake, what are you looking at? Blake—!’
Trying to escape the light, and this odd clergyman, I jumped an ornamental rail and ran off down the side-street of sedate bungalows behind the post office. Father Wingate’s voice faded behind me, lost among the car horns and overhead aircraft. Here everything was calmer. The pavements were deserted, the well-tended gardens like miniature memorial parks consecrated to the household gods of the television set and dishwasher.
The light faded as I reached the northern outskirts of the town. Two hundred yards beyond an untilled field ran the broad deck of the motorway. A convoy of trucks was turning off into the nearby exit ramp, each pulling a large trailer that carried a wood and canvas replica of an antique aircraft. As this caravan of aerial fantasies entered the gates of the film studios, dusty dreams of my own flight, I crossed the perimeter road and set off for the pedestrian bridge that spanned the motorway. Poppies and yellow broom brushed my legs, hopefully leaving their pollen on me. They flowered among the debris of worn tyres and abandoned mattresses. To my right was a furniture hypermarket, its open courtyard packed with three-piece suites, dining-tables and wardrobes, through which a few customers moved in an abstracted way, like spectators in a boring museum. Next to the hypermarket was an automobile repair yard, its forecourt filled with used cars. They sat in the sunlight with numerals on their windshields, the advance guard of a digital universe in which everything would be tagged and numbered, a doomsday catalogue listing each stone and grain of sand under my feet, each eager poppy.
Now that I was at last escaping from Shepperton – within moments I would cross the bridge and catch the bus to the airport – I felt confident and light-footed, skipping along in my white sneakers. I paused by a concrete post embedded in the soil, a digit marking this waste land. Looking back for the last time at this stifling town where I had