finding my face pressed down against a hard, sandy surface. I fancied I felt a hot breath at my neck – a whisper, a brush of soft hair against my cheek – but when I moaned and made to get up, these sensations vanished.
I was immersed in inky darkness. It felt neither warm nor cold. I was sitting on some hard, sandy surface. There was a scent of staleness in the still air. My head ached from the bump it had received, and I had lost my hat.
I reached out my arms and cast about all around me. To my great relief, I was rewarded almost immediately by a soft collision with a tangle of ivory and brass: it was the Time Machine, pitched like me into this darkened desert. I reached out with both hands and fingered the rails and studs of the machine. It was tipped over, and in the dark I could not tell if it was damaged.
I needed light, of course. I reached for some matches from my pocket – only to find none there; like a blessed fool I had packed my entire supply into the knapsack! A moment of panic assailed me; but I managed to suppress it, and I stood, shaking, and walked to the Time Machine. I investigated it by touch, searching between the bent rails until I found the knapsack, still stowed secure under the saddle. Impatient, I pulled the pack open and rummaged through it. I found two boxes of matches and tucked them into my jacket pockets; then I took out a match and struck it against its box.
… There was a face , immediately before me, not two feet away, glowing in the match’s circle of light: I saw dull white skin, flaxen hair draping down from the skull, and wide, grey-red eyes.
The creature let out a queer, gurgling scream, anddisappeared into the darkness beyond the glow of my light.
It was a Morlock!
The match burned down against my fingers and I dropped it; I scrabbled for another, in my panic almost dropping my precious box.
4
THE DARK NIGHT
T he sharp sulphur smell of the matches filled my nostrils, and I backed across the sandy surface until my spine was pressed against the brass rods of the Time Machine. After some minutes of this submission to terror I had the wit to retrieve a candle from my knapsack. I held the candle close to my face and stared into its yellow flame, ignorant of the warm wax which flowed over my fingers.
I gradually began to discern some structure in the world around me. I could see the tangled brass and quartz of the upturned Time Machine, sparkling in the candlelight, and a form – like a large statue, or a building – which loomed, pale and huge, not far from where I stood. The land was not completely without light. The sun might be gone, but in patches above me the stars still shone, though slid about by time from the constellations of my boyhood. There was no sign of our friendly moon.
In one part of the sky, though, no stars shone: in the west, protruding over the black horizon, there was a flattened ellipse, unbroken by stars, spanning fully a quarter of the sky. This was the sun, shrouded in its astonishing shell!
As I came out of my funk, I decided my first action should be to secure my passage home: I must right the Time Machine – but I would not do it in the dark! I knelt down and felt about on the ground. The sandwas hard, the grains fine-packed. I dug into it with my thumb, and pushed out a little depression; into this improvised holder I popped my candle, confident that in a few moments sufficient wax would melt to hold it more firmly in place. Now I had a steady light to guide my operations, and my hands were free.
I set my teeth, drew my breath, and grappled with the weight of the machine. I wedged my wrists and knees under its framework, trying to wrestle the thing from the ground – its construction had been intended for solidity, not ease of handling – until, at last, it gave under my onslaught and tipped over. One nickel rod struck my shoulder, quite painfully.
I rested my hand on the saddle, and felt where its leather surface was scuffed by the
Arnold Nelson, Jouko Kokkonen