into this void should pour the only being that was homogeneous to it, for otherwise the Universe would have crashed into chaos. And at that instant the impression came, final, simple, absolute, that She must be there, there in the room! Of this he was as calmly certain as of his own existence, and all the objects about him were saturated with this conviction. One saw it there! And now, since nothing was lacking save only Vera herself, outwardly and tangibly there, it was inevitably ordained that there she should be, and that for an instant the great Dream of Life and Death should set its infinite gates ajar! By faith the pathway of resurrection had been driven right to her! Joyfully a clear burst of musical laughter lit up the nuptial bed. The Count turned round. And there, before his eyes, creature of memory and of will, ethereal, an elbow leaning on the lace of the pillow, one hand buried in her thick black hair, her lips deliciously parted in a smile that held a paradise of rare delights, lovely with the beauty that breaks the heart, there at last the Countess Vera was gazing on him, and sleep still lingering within her eyes.
“Roger!” spoke the distant voice.
He came over to her side. In joy, in divine, oblivious, deathless joy, their lips were united!
And then they perceived, then, that they were in reality but one single being.
The hours flew by in their strange flight, brushing with the tips of their wings this ecstasy wherein heaven and earth for the first time were mingled.
Suddenly, as if struck by some fatal memory, the Count d’Athol started.
“Ah, I remember!” he cried.” I remember now! What am I doing? You, you are dead!”
And at that moment, when that word was spoken, the mystic lamp before the ikon was extinguished. The pale, thin light of morning—a dreary, grey, raining morning—filtered through the gaps of the curtain into the room. The candles grew pale and went out, and there was only the acrid smoke from their glowing wicks; beneath a layer of chilling ashes the fire disappeared; within a few minutes the flowers faded and shrivelled up; and little by little the pendulum of the clock slowed down once more into immobility. The certitude of all the objects took sudden flight. The opal stone, turned dead, gleamed no longer; the stains of blood upon the cambric by her side had faded likewise; and the vision, in all its ardent whiteness, effacing itself between those despairing arms which sought in vain to clasp it still, returned into thin air. It was lost. One far faint sigh of farewell, distinct, reached even to the soul of the Count. He rose. He had just perceived that he was alone. His dream had melted away at one single touch. With one single word he had snapped the magnetic thread of his glittering pattern. And the atmosphere now was that of the dead.
Like those tear-shaped drops of glass, of chance formation, so solid that a hammer-blow on their thick part will not shatter them, yet such that they will crumble instantly into an impalpable dust if the narrow end, finer than a needle’s point, be broken—all had vanished.
“Oh!” he murmured, “then all is over! She is lost…and all alone! What path can bring me to you now? Show me the road that can lead me to you!”
Suddenly, as if in reply, a shining object fell with a metallic ring from off the nuptial bed, onto the black fur: a ray of that hateful, earthly day lit it up. Stooping down, the forsaken one seized it, and, as he recognized the object, his face was illumined with a sublime smile. It was the key of the tomb.
A LOST DAY, by Edgar Fawcett
“My Family,” John Dalrymple would say, “have the strange failing (that is, nearly all of them except myself, on the paternal side) of—”
And then somebody would always try to interrupt him. At the Gramercy, the small but charming club of which he had been for years an honored member, they made a point of interrupting him when he began on his family failing. Not a few