you?â
âNo. But I trust the word of Higgins, and of his wife.â
âSo I understand.â
âYou understand?â
âI have been on these researches for some time now, as you see. My belief is that Higgins is alive. I come for your help, Shaw. I am here to help Goody Higgins. That is my charge from Mr. Cole. I wonder if we might not do better, even for her sake, to quit this play of wit and be direct.â
âI know nothing of Higginsâ disappearance. You think I would not have told his wife if I did?â
âMight you at the least tell me of these torments as you understand them, Shaw?â
âThey belong to Goody Higgins. Iâll not tamper with them.â
âI seek only to learn more about the nature of your laying their source to Coffin. A woman is murdered. The man most recently associated with her, and then his wife, experience ill fate and visions. Does that lead us to the victimâs husband? Does that demonstrate his necromancy? It is a possibility, of course. But might not murder, suit, investigations all distract minds? Might not nature kill and blast?â
Shawâs body seemed to rise up out of his fatigue. âHere is a dream, then,â he said. âTell me it comes from nature, or God. It is Higginsâ, not his wifeâs. Those she can tell you herself.â
Shaw leaned back on his bench against the wall. He looked directly at Browne. âIn his sleep Higgins dreams he is planting an orchard. He takes care in the cultivation of seven trees that they might bear autumn fruit. Still, one tree dies, and it is not clear why. This tree bleeds a little, real heartâs blood. The other trees flourish.
âAnother night the dream returns, yet only after one of the children, little Mehitabel, is taken away by violent illness. This time Higgins returns to the dream orchard and another of the six remaining trees dies off. It is exactly as beforeâsudden, the bleeding, without clear cause.â
âThen a second child?â Browne interrupted.
Shaw ignored his question. âHiggins wakes up crying. He tells his wife. They are confused. Helpless and filled with sorrow. They examine the children. Each of the six seems well in his sleep. But each night Higgins cannot sleep. He fears the dream, another dead child. He sleeps briefly each night and wakes up sweating, exhausted. Just when he and his wife begin to believe death will not follow, the second child falls ill, Anne, his youngest daughter, and dies of the same fever and bloody flux within a week.
âIt was then that Higgins fled. It was as if he were killing his own children by his dreams. He wasnât going to wait for another dream, and death.â
âThese two alone died, finally?â Browne asked, although he knew the answer.
âTwo of their seven. That he fled seems to have worked it. He felt as if some poison were in him. Might not his far and sudden removal put a stop to this power from wherever it came? What other way lies before a desperate and helpless father?â
âHis dreams have stopped?â Browne asked.
âI know not where he is, alive or dead.â
âCome, Shaw. If you canât tell me where, at least tell me whether the dreams have stopped. The children are alive now. We may need to watch and protect them. Surely he would wish us to!â
âThey have stopped,â Shaw said. He looked down at the table board.
âAh,â Browne answered. He remained silent. After some moments he asked: âHe has not returned?â
âHe
can
not!â
âCan we help him?â
âHe has decided to help himself.â
âHow so?â
âThat I am pledged by my life not to say. And will not. I have broken my promise. Tell
no one
he is alive. The lives of his wife and children depend on our silence. Speak nothing of this to a soul.â
Shaw looked up grimly. His face told what agony he was in to regain his