The Splendor Of Silence
behind the house. The racket never seemed to bother her father; his focus was complete in the midst of chaos. In the distance, she heard the short and sharp hoots of the night train to Rudrakot. Still balanced on just her toes and chin, her body bent at the waist, she watched the steam from the engine dissolve as a tiny slice of the sun brightened the horizon just beyond Chetak's tomb.
    This train would bring Jai home to his kingdom of Rudrakot, though when, Mila did not know. Jai was never very specific with time; he did not have to be because, as in everything else, time adjusted itself around him. Jai would travel, of course, with the train, not on the train, his own bogie shunted to the back. He would merely use the engine to pull him to Rudrakot, but would endure none of the discomforts of travel. Jai's bogie had hushed custard apple carpets, Louis XV sofas and giltwood chairs, teak and brass appointments, a gold-plated sink in the mirrored bathroom. Even, at one end, his own kitchen and bar. His own palace-uniform-clad servants, in white turbans and coats with silver-braided sashes. Gaslight-shaped lamps that picked diamonds out of shimmering cut-glass decanters. Mila had traveled in Jai's bogie only once, with Papa and her brothers many years ago, and she had been astounded by how easily Jai fit into his surroundings, lounging casually on the French damask of the sofa, barely distressed as his wine sponged into that precious fabric when the train braked. The conductor and driver had come later to apologize for the train's shudders, with promises to never let that happen again.
    Mila listened to the chug-chug of the train, and wondered who came to Rudrakot today, traveling in a much more common way. She lifted her elbows from the balcony's ledge and straightened her back. It did not matter. This night train to Rudrakot would bring them no visitors. Nothing would ruffle the calm of their lives, nothing would break the routine ... until Jai came back home.
    Sam woke as the train pulled into Rudrakot at the first shine of dawn. Of the birth of the sun over the flat edge of the earth he saw nothing, for his window looked out toward the cavernous platform. He raised the shutter as the brakes squealed on the tracks. Both Mrs. Stanton and Mr. Abdullah were already awake. The Indian was seated cross-legged on his bunk, hunched against the curved roof of the compartment, his head dangerously close to the fans. She was dressed and finished in a white voile dress printed with lilacs, dog-skin gloves on her hands, her curls coaxed back into place on her skull, her bags packed, the nightgown stuffed in with her knitting.
    There were little boys and old, wizened men along the edges of the platform, staring solemnly as the train trundled by. They all had their hands raised into the air, fingers splayed in the Churchillian V. Their stances were overcasual, free arms looped about each other's waists, weights depending upon one foot so their hips stuck out. It was an odd gesture, one Sam had witnessed at other train stations during this journey, but never up this close. He began to laugh, and the weight of the last few weeks lifted.
    The men and boys had their palms facing inward, not outward, with two fingers, the middle and the index, up in the air. If one of them tucked his index finger out of sight, it would mean something else altogether. Surely, Sam thought, filled with delight, it was a mistake. Or was it? Would the vast, uneducated Indian masses, with their unwashed faces and their ragged clothes, show the finger to the first-class compartments normally occupied only by the British?
    The platform crackled with a sudden life. Coolies lined up where the bogie doors were to stop, one after another, four or five deep, their turbans and short coats a brilliant red, white dhotis wrapped around their waists and tucked between their legs. Even in the gathering heat of the morning, steam blew from the cauldrons of chaff makers, wafting the
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