Coatless, Dusek had begun to shiver.
âLetâs get you inside, then.â Gemma guided the woman into the lobby and Melody and Shara followed.
The lobby, adorned with a violently patterned carpet in pink and blue, had a slightly scuffed reception desk to one side and a sitting area with a television on the other. Grouped around one of the tables in the sitting area were a woman in a maidâs smock who was sniffing into a handkerchief, a young spotty-faced man in white shirt and black trousers, and a large uniformed constable. They looked as if they might be unlikely participants in a card game, or, considering the pot and cups arrayed on the table, a tea party.
The constable rose immediately and came towards them. When Gemma had identified herself, he said, âDC Turner, maâam. Gipsy Hill Station.â He was fair and slightly bovine, but his blue eyes were sharp.
âMs. Dusek is going to stay with you for the moment. Iâll want to speak to the others later as well. Can you send the SOCOs to us when they arrive? And the doctor? Oh, and, Turner, I donât want any of the guests leaving until weâve interviewed them.â
âIn hand, maâam. Thereâs only a dozen in this whole place, apparently. Not exactly a booming business. Those that have come down, Iâve put in the dining room.â
Gemma nodded. âGood. And can you see that no one leaves through the fire doors?â
âDone, maâam,â Turner said, with obvious self-satisfaction that was redeemed by his grin.
âCheeky sod,â Shara muttered.
Although Gemma would have preferred the scene-of-crime team on hand before she viewed the body, she felt there was little point in interviewing further staff until she knew exactly what they were dealing with. âAll right, Turner. Weâll beââ
âThrough reception, down the stairs and to your right. Youâll see the constable on the door.â Turnerâs smile had disappeared. âAnd youâll be glad if you missed your breakfast.â
Gemma followed his directions. Any moderately favorable impression sheâd had of the hotel vanished as they left the public areas. The stairwell was dim, the walls scuffed and chipped. It smelled of damp, thinly disguised by industrial disinfectant. The basement corridor was no better. Two of the fluorescent light fixtures were out, and the others hummed unpleasantly. The uniformed officer standing at parade rest towards the end of the hall was a welcome sight.
He was younger than Turner, and she suspected he had drawn the short straw.
âMaâam.â He nodded when she showed her ID, but didnât meet her eyes.
The door in front of which he stood guard was closed, but the key was in the lock.
âHas anyone touched this other than the housekeeper?â she asked.
âDC Turner was the first on scene, maâam, but he used his gloves. Iâdidnât go in.â
âRight, then. Good lad.â Gemma pulled a pair of nitrile gloves from her coat pocket and slipped them on. âLetâs have a look, shall we?â
Turning the key, she pushed the door open and stood on the threshold.
The smell hit her in a wave. Urine, feces, and the unmistakable stench of death. The hotel might be short on guests but was not stinting on its central heating. The room was like an oven, and Gemma felt the sweat prickle beneath the collar of her coat.
Gray daylight poured in through windows set high up in the roomâs outside wall. She blinked as her eyes adjusted, then focused on the roomâs double bed, illuminated by a sudden shaft of sunlight like a tableau in a medieval painting.
âBloody hell,â she said.
CHAPTER THREE
The Crystal Palace was a huge glass and iron structure originally built in 1851 for the Great Exhibition held in Londonâs Hyde Park. Prince Albert, head of the Society of Arts, had the idea of an exhibition to impress the world