clothes that are one-hundred-percent cotton. Poor Bronco. Talk about pussy-whipped.â
Ray took a big sip of beer and reached for a handful of peanuts. âWorse comes to worse, weâll just have to liberate that sorry bastard.â He popped the peanuts in his mouth and chewed. He took another sip of beer. âBut, first weâve got to make some progress down here.â
âSpeaking of which,â Lou said, âwhat exactly is supposed to be down here?â
Ray was looking past Louâs shoulder. âHere she comes.â
Lou turned as Brandi approached. He was not alone. Every pair of male eyes in the room followed her to the booth.
She gave Lou a big smile and bent over to kiss him. âHello, Louis.â
Brandi looked and smelled terrific. Her straight platinum hair was cut in a pageboy, which accented her hazel eyes, pug nose, and Southern California tan. Gordie Cohen had described her as a cross between Doris Day and the porn star Seka. Tonight she was wearing a simple cotton twill shirtdress with flap breast pockets, a wide olive belt, and white sandals. She could have stepped off the pages of Vogue .
She scooted into the booth next to Ray.
âHow are you, Louis?â
âDoing okay. You?â
âCouldnât be better.â
âStill swimming?â
âOf course.â She paused to give the waitress her order. âStoli and tonic water, twist of lime.â She turned back to Lou. âFour nights a week. Girlâs gotta make a living.â
âNot really,â Ray said.
âYes, really.â She gave Lou a wink.
âStill Queen of the Nile?â he asked her.
âNah. They may bring that Egyptian shtick back for the summer, but this monthââ she paused, giggled ââthis month weâre doing the French revolution.â
âAnd itâs truly revolting,â Ray added. âYou havenât seen dreck until youâve seen âThe Love Slaves of Robespierre.â Worse yet, she plays Marie Antoinette in the âLet Them Eat Cakeâ number.â
âThat one does sort of suck,â Brandi said. âI wear these round cakes over my boobs. I pull them off at the endâthe cakes, that is.â
Ray said, âHard to believe Meryl Streep got her start that way, isnât it?â
Brandi poked him in the side with her elbow. âVery funny, Raymond. Just wait. Someday, when Steven Spielberg decides to go aquatic on a remake of Peter Pan , Iâll be ready.â
When Lou visited Ray last fallâthe first time theyâd seen one another in more than twenty yearsâRay had taken him to see Brandiâs show. The huge neon sign out front proclaimed the Seahorse Saloon as âHome of the Topless MermaidsâFeaturing San Diegoâs Favorite Little Mermaid, Brandi Wine.â The high wall behind the bar at the Seahorse Saloon was thick glass. It had taken Lou a moment to realize that it was actually the front side of an enormous tank of water. Except for a pair of red underwater lights and an occasional wiggle of bubbles, the water was dark and opaque.
At the hour, the lights had dimmed, and a tinny version of âThe Theme from Rockyâ came over the sound system. The underwater floodlights came on. An unctuous voice welcomed them to âthe Seahorse Saloonâs Special Salute to Ancient Egypt.â
And some salute it was. Depending upon the scene, anywhere from two to five âmermaidsâ entered the water from an unseen platform above the bar and, with bare breasts bobbing and brightly colored G-strings flashing, enacted ninety-second routines, including such timeless masterpieces as âThe Slave Girls of Tutankhamen,â âA Romp with Ramses,â and âAn Afternoon With the Vestal Virgins of the Temple of Amon.â Brandi played Cleopatra in the finale, wearing nothing but a pink spangled G-string and a rhinestone-studded headdress. She was