stay here the rest of your life,â sheâd said, licking lager from her top lip. It was early afternoon, and Maidstoneâs oldest and largest pub was already occupied by the regulars.
âThereâs nothing wrong with it,â Sarah had replied, still in awe at Pennyâs news that sheâd bought her own flat. âIâm perfectly happyââ
âBut you havenât gone out with anyone since John moved out, what, two, three years ago? I mean, really, Sarah.â
âHe wanted children, Penny, for Godâs sake, and you know where I stand on that. Weâre still good friends. I wish him the best, honestly, but it was a relief when he left.â Sarah took a sip of her beer. âIâm not in the mood to go out with anyone, to tell the truth. They talk about their jobs and their sports, and I start yawning. I must have dried up or something, itâs just not happening.â
âTheyâre probably dull men, thatâs all.â Penny played with one dangling earring. âMaybe your friends can introduce you. How many friends do you have here, anyway?â
âI donât really need friends. I just joined theââ
âDonât be ridiculous. Everyone needs friends. Itâs not good to keep things bottled up inside, and you know you tend to do that.â
âLeave me alone, Pen, Iâm fine. All I need is my painting and a bit of cash, and I have that all here. Maidstone suits me.â
âNothinghappens here,â her friend said, lowering her voice and looking around. âI mean, this place hasnât changed in thirty-five years. It still smells the same!â Sarah couldnât help but laugh, remembering them peering into the pub as children, sniffing the stale beer.
âLook at you,â Penny said and clucked her tongue. âYouâre a fan tas tic artist, and what do you do? You only paint in your free time! I would die for your talent, Iâm telling you. But youâre like a hollow person here, killing time in Maidstone, marching towards death.â Her friendâs eyes had widened at the thought of a life unlived.
âIâm notââ
âYou won all the art awards in Maidstone Grammar, again in MidKent College, and what are you doing with them? Nothing! Youâve got to move up to London. I mean, whatâs holding you back, your mother? You said yourself you only see her once a month. You can do that from London, just hop on the train and come down. It costs a few quid, but youâll be making more money up there, you know. Seriously, Sassy, you need to come up and get into the art scene on the Kingâs Road or something. Theyâll love your stuff, wait and see. And you definitely can not keep working in that awful restaurant.â
The cubbyhole in the restaurant where she stuffed her coat and handbag came to Sarahâs mind. âItâs not too badââ
âWith a maître dâ you call Percy Pervert?â
âTheyâre a nice lot, really, and I get good tips. Besides, thereâs a new gallery opening up and I have an appointment to meet with them. Iâve painted one or two new things. You never can tell, maybe theyâll appreciate something other than wildflowers.â
Penny had clunked her glass down on the barâs counter. âListen, I have a friend who owns a small gallery in KenÂsington. Itâs really posh, high ceilings and classy clientele, you know the type. Letâs show her your work, shall we? Come and visit me for a few days and bring those pieces youâve painted.â
In the end, it was Pennyâs comment that she was a hollow personâthe kind of statement soon forgotten by the speaker but embedded in the listenerâs mindâthat had pushed Sarah to change the trajectory of her life. Events had followed swiftly: a short visit to Kensington and a contract with Eccentricity, the upscale gallery owned