The Scalp Hunters Read Online Free PDF

the shore whining and howling.
    I knew what this meant; but, with that common obstinacy which refuses all testimony but the evidence of the senses, I lifted some drops in my hand, and applied them to my lips. They were briny and burning. I might have known this before reaching the lake, for I had ridden through a salt incrustation that surrounded it like a belt of snow. But my brain was fevered; my reason had left me.
    It was of no use remaining where I was. I climbed back into my saddle, and rode along the shore, over fields of snow-white salt. Here and there my horse's hoof rang against bleaching bones of animals, the remains of many a victim. Well was this lake named the Laguna del Muerto-the "Lake of Death!"
    Reaching its southern point, I again headed westward, in hopes of striking the river.
    From this time until a later period, when I found myself in a far different scene, I have no distinct memories.
    I remember dismounting on a high bank. I must have travelled unconsciously for hours before, for the sun was low down on the horizon as I alighted. It was a very high bank-a precipice-and below me I saw a beautiful river sweeping onward through groves of emerald greenness. I thought there were many birds fluttering in the groves, and their voices rang in delicious melody. There was fragrance on the air, and the scene below me seemed an Elysium. I thought that around where I stood all was bleak, and barren, and parched with intolerable heat. I was tortured with a slakeless thirst that grew fiercer as I gazed on the flowing water. These were real incidents. All this was true.
    -
    Once more my eyes were tracing the figures upon the curtains: the knights and dames, the hounds, hawks, and horses. But my brain had become clearer, and music was flowing into it. I lay silent, and listened.
    The voice was a female's. It was soft and finely modulated. Someone played upon a stringed instrument. I recognised the tones of the Spanish harp, but the song was French, a song of Normandy; and the words were in the language of that romantic land. I wondered at this, for my consciousness of late events was returning; and I knew that I was far from France.
    The light was streaming over my couch; and, turning my face to the front, I saw that the curtains were drawn aside.
    I was in a large room, oddly but elegantly furnished. Human figures were before me, seated and standing.
    After looking steadily for a while, my vision became more distinct and reliable; and I saw that there were but three persons in the room, a man and two females.
    I remained silent, not certain but that the scene before me was only some new phase of my dream. My eyes wandered from one of the living figures to another, without attracting the attention of any of them.
    They were all in different attitudes, and occupied differently.
    Nearest me was a woman of middle age, seated upon a low ottoman. The harp I had heard was before her, and she continued to play. She must have been, I thought, when young, a woman of extreme beauty. She was still beautiful in a certain sense. The noble features were there, though I could perceive that they had been scathed by more than ordinary suffering of the mind.
    She was a Frenchwoman: an ethnologist could have told that at a glance. Those lines, the characteristics of her highly gifted race, were easily traceable. I thought there was a time when that face had witched many a heart with its smiles. There were no smiles on it now, but a deep yet intellectual expression of melancholy. This I perceived, too, in her voice, in her song, in every note that vibrated from the strings of the instrument.
    My eye wandered farther. A man of more than middle age stood by the table, near the centre of the room. His face was turned towards me, and his nationality was as easily determined as that of the lady. The high, florid cheeks, the broad front, the prominent chin, the small green cap with its long peak and conical crown, the blue spectacles, were all