“You, I, and that thief La Mon are all that are left. What would you suggest?”
The Rat's pallid lips barely formed the word: “Flight!”
“You are right. Let us take the gems and gold from the chests and flee, using the secret passageway.”
“And La Mon?”
“He can watch until we are ready to flee. Then – why divide the treasure three ways?”
A faint smile touched the Rat's malevolent features. Then a sudden thought smote him.
“He,” indicating the corpse on the floor, “said, ‘I got here first.' Does that mean Kane was pursuing him here?” And as the Wolf nodded impatiently the other turned to the chests with chattering haste.
The flickering candle on the rough table lighted up a strange and wild scene. The light, uncertain and dancing, gleamed redly in the slowly widening lake of blood in which the dead man lay; it danced upon the heaps of gems and coins emptied hastily upon the floor from the brass-bound chests that ranged the walls; and it glittered in the eyes of the Wolf with the same gleam which sparkled from his sheathed dagger.
The chests were empty, their treasure lying in a shimmering mass upon the blood-stained floor. The Wolf stopped and listened. Outside was silence. There was no moon, and Le Loup's keen imagination pictured the dark slayer, Solomon Kane, gliding through the blackness, a shadow among shadows. He grinned crookedly; this time the Englishman would be foiled.
“There is a chest yet unopened,” said he, pointing.
The Rat, with a muttered exclamation of surprize, bent over the chest indicated. With a single, catlike motion, the Wolf sprang upon him, sheathing his dagger to the hilt in the Rat's back, between the shoulders. The Rat sagged to the floor without a sound.
“Why divide the treasure two ways?” murmured Le Loup, wiping his blade upon the dead man's doublet. “Now for La Mon.”
He stepped toward the door; then stopped and shrank back.
At first he thought that it was the shadow of a man who stood in the entrance; then he saw that it was a man himself, though so dark and still he stood that a fantastic semblance of shadow was lent him by the guttering candle.
A tall man, as tall as Le Loup he was, clad in black from head to foot, in plain, close-fitting garments that somehow suited the somber face. Long arms and broad shoulders betokened the swordsman, as plainly as the long rapier in his hand. The features of the man were saturnine and gloomy. A kind of dark pallor lent him a ghostly appearance in the uncertain light, an effect heightened by the satanic darkness of his lowering brows. Eyes, large, deep-set and unblinking, fixed their gaze upon the bandit, and looking into them, Le Loup was unable to decide what color they were. Strangely, the Mephistophelean trend of the lower features was offset by a high, broad forehead, though this was partly hidden by a featherless hat.
That forehead marked the dreamer, the idealist, the introvert, just as the eyes and the thin, straight nose betrayed the fanatic. An observer would have been struck by the eyes of the two men who stood there, facing each other. Eyes of both betokened untold deeps of power, but there the resemblance ceased.
The eyes of the bandit were hard, almost opaque, with a curious scintillant shallowness that reflected a thousand changing lights and gleams, like some strange gem; there was mockery in those eyes, cruelty and recklessness.
The eyes of the man in black, on the other hand, deep-set and staring from under prominent brows, were cold but deep; gazing into them, one had the impression of looking into countless fathoms of ice.
Now the eyes clashed, and the Wolf, who was used to being feared, felt a strange coolness on his spine. The sensation was new to him – a new thrill to one who lived for thrills, and he laughed suddenly.
“You are Solomon Kane, I suppose?” he asked, managing to make his question sound politely incurious.
“I am Solomon Kane.” The voice was