The Sagan Diary Read Online Free PDF

must apologize to you. I am sitting with you and you are talking to me, telling me about the world to which we are going, where you and I will start our lives together. I’m sure what you’re saying is important—critical things I need to know, about a place I have never been but where I will spend the rest of my days. I am sure you are telling me things I need to hear, but I must confess I’m not hearing a single word.
    Instead I am intent on your face, and the movement of your lips, and the memory of how those lips feel when they are on me. While you speak I am thinking of the last time we kissed, and the subtle friction that took place because we were so slightly out of sync, the rush of blood flooding our lips to make them softer, and make us more aware of just how many nerve endings each of us were pressing against the other.
    Your words arrive at ears that are not deaf but disinterested, because although what you say is some’ thing I need to know, I know I can make you repeat it some other time. You will oblige me that way. And so I watch your lips purse and thin and tighten and repeat, knowing that the same motions can be used for other ends, and enjoying the memory of those ends achieved.
    I apologize now because I am staring at your hands, which you use as punctuation—another layer of language to illustrate the point you think I am hearing, but which in reality is flying past my head and falling into piles against the wall behind me. I realize that this is not like me, that you prize my seriousness and my ability to focus. You should know I am serious and I am focused, just not on what you’d prefer me to be. It is your hands that have my attention now, their short and choppy movements at the moment belying their startling fluidity as they move over me, and their strength when they lock with mine and press them down as you press your body into me.
    There is an argument to be made as to which of us is stronger, but in the moment is not the time for that. Your strength is a sign of your intent and your request that I honor that intent. I’ve made the same request, and in the same way. I remember that you’ve honored it as well, hands locked and pressed and then released, to move with intent, another layer of language, to illustrate a point I want to hear.
    I apologize yet again. This is a total loss. I am so far downstream from whatever it is that you’ve said that it would be impossible to catch up, and besides I am focused on other topics, about which I intend to make you presently aware. I am sorry that I have been entirely lost in your lips and hands and the memories of each on me. But you should know that I am going to make it up to you, and let you put them to what I feel is better use than the service to which they are put now. I think you will agree that all things considered, the purpose I have for them is a better one for all involved.
    Even so I apologize for the inattention. I also apologize for surprising you just now, by knocking aside the table inconveniently set between us. And now I must apologize for upsetting your chair with you still in it, and for knocking your head on the floor. I will do what I can to make you forget your pain.
    * * *

    Sex with you is unlike any other sex I’ve had. I do not say this like one of the restless virgins of literature, swept up in swooning tides of bliss. I am not the swooning type. And while you are good, you are not that good; your mere touch is not enough to transport me to fantastical realms of ecstasy, or whatever ridiculous phrase one would use to express such an idea.
    Sex is not a holy or sacred thing or a physical ma-chine to express a separate emotion. I fuck to enjoy myself and to celebrate the fact I am alive. I understand the idea of making love, but it seems a bad way to go about it. I don’t fuck to show my love. I love to show my love and let the fucking be its own thing. I love you and I love fucking you and I have no need to complicate