think of places and times I'd rather see you in, other than mired in a morass, Gypsy Robin," the driver replied cheerfully, cocking his head to one side. "I suppose now I shall have to get you out. If I don't, you'll write some kind of nasty little ditty about me and I shall never be able to show my face in polite company again."
"I?" Robin made innocent eyes at him, and pretended shock. "Why should I do anything like that?"
"Because you are the Gypsy Robin, and no male, human or not, escapes your charm without regretting it." The strange being bowed from the waist, and winked at Kestrel. "Give me a moment to change and I will be down beside you."
Robin snorted, and shook her head. To Kestrel's bemusement, Gwyna was now as cheerful as if their wagon was safely on the road and the sun was shining overhead. What magic did this man have to make her suddenly so certain he would be able to fix all their problems? "Still a clothes-horse, now as ever! Your wardrobe, no doubt, is the reason for the size of your wagon!"
"How not?" he countered. "Why not?" and disappeared inside.
Kestrel blinked. "Old Owl"—whoever and whatever he was, had been one of the oddest attractive creatures he had ever seen. His face and body—what Kestrel had seen of the body, anyway—had been fairly human. But that was where the similarity ended. He had long, flowing, pale hair growing along his cheekbones, giving his face the masklike appearance of an ancient owl. These were not whiskers or a beard; this was hair, as fine and silky as the shoulder-length hair on his head, and it blended into that hair on either side of his face. To complete the image of an owl-mask, his eyebrows were enormous, as long as Kestrel's thumb, and wing-shaped.
The hair on his head had been cut in some way that made parts of it stand straight up, while parts of it lay flat, all of it forming a fountain like shape. It gave the man's head a fantastical appearance, and his clothing—
Well, what Kestrel had seen of it, left him dazzled and astonished, and quite, quite speechless. It had certainly rivaled anything he'd seen on any Gypsy; not only was it brightly and brilliantly colored and cut in fantastic folds and draperies with flowing sleeves and a cape like arrangement at the shoulders, but parts of it gleamed with a distinctly metallic sheen, and some had the look of water, and still other parts were as iridescent as an insect wing.
No wonder he had not wanted the mud to spoil it!
First and foremost—who was this person, this "Old Owl"? And what was he to Robin? "Wh-wh—" Tonny began.
"Who is that?" Robin asked, turning around to give him a lopsided grin. She waded back to the wagon through ankle-deep mud. "Well, we call him 'Lord' Harperus, or 'Old Owl' since he is something of an honorary Free Bard, he's pulled so many of us out of fixes like this one. No one knows if he's really entitled to the 'Lord' part, but he has piles and piles of money, as much as any Sire, so everyone calls him 'Lord.' He's a Deliambren."
A Deliambren! Kestrel blinked, and his interest sharpened considerably. The Deliambrens were top of the list of beings Kestrel had always wanted to see. They were reputed to be wizardry mechanics, building clockwork creations that could do almost any task. You found their constructions in the homes of the wealthiest of the Barons and Dukes, and the palaces of Kings. Very few Sires could afford the handiwork of Deliambrens, and very few merchants, even Guild Masters. Those who could afford them boasted about it.
The Deliambrens knew how to make magical lights that illuminated without creating heat or needing any oil to fuel them. They created boxes that produced music, melody after melody, fifty tunes or more without repetition, boxes no bigger than a wine cask. It was even said they could build wagons that did not need horses to pull them, and conveyances that could fly!
They lived, so Kestrel had been told by his tutor, in a place