everyone.â Her tone is not critical but matter-of-fact.
â Th anks,â I say. âYouâre absolutely right.â
âYouâre welcome.â
She likes me. She wants me to stick around. And who knows, maybe not just for Trevâs sake. âI guess thatâs true of everybody, right?â I say. âPush them too far, and theyâll push back?â
âSome people absorb better than others,â she says. âWhen youâre a parent, you learn to absorb.â
Sheâs left me no choice but to tell her the truth. âElsa, look, thereâs something I . . . In the interview when you asked if I had any . . .â
âI know,â she says.
âAbout . . . ?â
âYes. Word travels fast.â She fixes her eyes on the murky dishwater, scrubbing absently beneath the surface. âIâm sorry, Ben. Very sorry.â Th en she turns and looks up at me, squinting in the sunlight. And before she can say another word, I seize her about the waist with both hands and pull her toward me. Instantly, the world turns to ice as Elsa tears herself free of my clutches, glowering. Itâs tough to say what all is written in her expression as she backs away from me across the kitchen, but surely there is a hint of ambivalence. She canât look me in the eye.
âI think you better go home for the day,â she says.
âI . . .â
âPlease,â she says, just as the baby monitor squawks out Trevâs summons.
the whistle stop
W hen Elsa encounters me in the kitchen the next morning, she is business as usual, starched work shirt, efficient bun, tack bag in hand.
âI may be a little late today,â she says. âCan you stay until six?â
âOf course,â I say. And I can only marvel at her capacity to move on.
Iâm mid-crossword when Trev calls me to the bedroom two hours early. Assuming he needs to be turned, I peel back the blankets to reveal his wasted figure, which fails to stir as the cold air greets it.
âIâm ready to get up,â he says.
âBathroom?â
âJust up.â
His curtness makes me think he knows. Suddenly, I donât want to lose this job. I begin to dress him on the bed, beginning with his gold-toed socks. When Iâve managed to wrestle his cargo pants up around his knees, I hoist him out of bed and prop him on my elevated knee, and with one hand I work the pants the remainder of the way up before nesting him in his wheelchair.
âWhite Chucks today,â he announces, even before weâve assumed our post in front of the double closet. âHigh-tops.â
Chucks are shallow-bottomed and narrow shoes. Which also makes me think Trev knows about my pass at his mom, because Chuck high-tops are a pain in the ass to put on, and he knows it. Th e high-tops need to be unlaced most of the way to accommodate his gnarled feet. Th ey canât be comfortable with his buckled toes and high arches.
âWould you do Charlize Th eron?â he inquires, much to my relief.
âDuh.â
âWhat about in Monster ?â
âOof. No way,â I lie.
By the time we move to the kitchen, I know Iâm in the clear. Iâm about to uncap his Ensure and pop his frozen waffles in the toaster when he catches me off guard once more.
âLetâs go out to breakfast,â he says. âIâll buy.â
He must know. Either he heard us, or Elsa told him. He never buys, except for the matinee, and thatâs his momâs money. Suddenly, it occurs to me that Trev may be conducting me to the neutral confines of a restaurant for the purpose of firing me. But then who will drive him home?
âYou pick the place,â he says.
And so, after three Digitek and two Enalapril, a morning piss, a brushing of the teeth (his, not mine), and two swipes of deodorant under each arm, we make for the van, where I lower the ramp somberly and buckle Trev into place as one