baby. Come here, child!â
I wonder if Annie will remember Ruby, or be frightened by the old womaneven if she does. I should have known better. Ruby Flowers radiates nothing to frighten a small child. She is like a benevolent witch from an African folk tale, and Annie goes to her without the slightest hesitation.
âI cooked your daddy his favorite dinner,â Ruby says, hugging Annie tight. âAnd after tonight, itâs gonna be your favorite too!â
At the center of the table sits a plate heaped with chicken shallow-fried to a peppered gold. Iâve watched Ruby make that chicken a thousand times and never once use more than salt, pepper, flour, and Crisco. With those four ingredients she creates a flavor and texture that Harland Sanders couldnât touch with his best pressure cooker. I snatch up a wing and take a bite of white meat. Crispy outside and moist within, it bursts in my mouth with intoxicating familiarity.
âGo slap your daddyâs hand!â Ruby cries, and Annie quickly obeys. âYaâll sit down and eat proper. Iâll get the iced tea.â
âIâll get the tea,â Mom says, heading for the kitchen before Ruby can start. âMake your plate, Ruby. Tonight youâre a guest.â
Our family says grace only at Thanksgiving and Christmas, and then almost as a formality. But with Ruby present, no one dares reach for a fork.
âWould you like to return thanks, Ruby?â Dad asks.
The old woman shakes her head, her eyes shining with mischief. âI wish youâd do it, Dr. Cage. You give a fine blessing.â
Thirty-eight years of practicing medicine has stripped my father of the stern religious carapace grafted onto him in the Baptist churches of his youth. But when pressed, he can deliver a blessing that vies with the longest-winded of deacons for flowery language and detail. He seems about to deliver one of these, with tongue-in-cheek overtones added for my benefit, but my mother halts him with a touch of her hand. She bows her head, and everyone at the table follows suit.
âFather,â she says, âitâs been far too long since weâve given thanks to you in this house. Tonight we thank you for the return of our son, who has been away too long. We give thanks for Anna Louise Cage, our beautiful grandchild, and pray that we may bring her as much happiness as she brings to us each day.â She pauses, a brief caesura that focuses everyoneâs concentration. âWe also commend the soul of Sarah Louise Cage to your care, and pray that she abides in thy grace forever.â
I take Annieâs hand under the table and squeeze it.
âWe donât pretend to understand death here,â Mom continues softly. âWe ask only that you let this young family heal, and be reconciled to their loss. This is a house of love, and we humbly ask grace in thy nameâs sake. Amen.â
As we echo the âamen,â Dad and I look at each other across the table, moved by my motherâs passion but not its object. In matters religious I am myfatherâs son, having no faith in a just God, or any god at all if you shake me awake at four a.m. and put the question to me. There have been times I would have given anything for such faith, for the belief that divine justice exists somewhere in the universe. Facing Sarahâs death without it was an existential baptism of fire. The comfort that belief in an afterlife can provide was obvious in the hospital waiting rooms and chemo wards, where patients or family members often asked outright if I was saved. I always smiled and nodded so as to avoid a philosophical argument that would benefit no one, and wondered if the question was an eccentricity of Southern hospitals. In the Pacific Northwest they probably offer you crystals or lists of alternative healers. I have no regrets about letting Sarah raise Annie in a church, though. Sometimes the image of her mother in Heaven is
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