The Queen's Sorrow
cryptically to an arrangement at court, the implication being that it was a personal one. He’d charmed someone to take in his washing.
    Rafael could’ve made a stab at asking the steward if he’d known how to ask for him, but he hadn’t managed to catch his name and he didn’t know the English for ‘Steward’. And every dinnertime for several days running, to his dismay, the opportunity to waylay the man would somehow disappear. So, in the end, he was reduced to hanging around at the foot of his staircase or near the kitchen, looking lost and hopeful: hoping that someone would step in and fetch the man in charge. He hated having to do it, this wide-eyed helplessness. The staff were too busy to notice him, or that’s how they liked to appear. Busy or not, they were clearly reluctant to engage with him. And then, at last, after perhaps a half-hour of his hanging around, someone did fetch Mr Kitson’s secretary, who spoke Italian. As if Italian could substitute. They were bogged down in language difficulties immediately, but just as he was about to try to mime the washing of his shirt, the palewoman approached them. The woman who’d smiled at him and – thank God – here she was, doing it again, looking attentive and keen to help, unlike everyone else. Rafael said, ‘Madam, please,’ and then asked her in his own language even though there was no chance of the actual words being understood: Was there a laundry in the house? Then the inevitable mime: he plucked at his shirt, before vigorously rubbing his hands together.
    ‘Here? No.’
    She indicated that he should give his shirts to her. ‘To me.’ She was so pale: her eyes were transparent and her skin had the luminosity of stone or weathered bone.
    Whenever he saw her after that, she was carrying fabric and he wondered how he had ever missed it. She was no doubt a seamstress; she’d have been the obvious person to ask about laundry. Linen was what came to mind, now, whenever he saw her. Forget stone and bone. Linen: unfussy, durable, adaptable.

    Still nothing had happened at Whitehall to provide Rafael with office space, but at last he gained permission to visit the queen’s private garden in which he was to site the sundial. He had no need of Antonio for this, and left him engrossed in a card game.
    Doing as he’d been told, he entered from an orchard at the south, opening an unlocked door on to a vast gravelled courtyard. On his left, the eastern side, bordering the river, was the queen’s private residence. These garden-facing windowswould catch any afternoon sunshine, but today the building was blank-eyed. At the far end, facing south, was a double-storeyed, ornately carved and gilded gallery, on which was mounted a direct-south dial. No one would be inside that gallery seeking shade on a day such as this. The centrepiece of the garden was a white marble fountain: a portly, pouting sea-creature depicted mid-flex, craning skywards, its dribble clattering into the basin like heavy rain. Dark, less well-defined figures stood to attention here and there in other parts of the garden: topiary girls, full-skirted and small-headed. Wood-carved, pet-sized beasts postured on top of twisty-twirly poles: a green-and-gilded lion up on its hind legs, flourishing paws and fangs, and a long-muzzled, mordant-faced – which was to say English-looking – hound resting on its haunches. All very pretty, perhaps, but fussy. There were many raised beds – a bed of lilies, one of poppies, one of daisies – and areas of lavender bordered by rosemary, as well as similarly shaped areas of clipped grass. Nearer the fountain, the beds looked different. Curious, Rafael crunched across the gravel to them. The borders of these beds, too, were low-hedged, but contained more ankle-high hedging – two kinds to each bed – planted in a pattern to give the illusion of two strands intertwining, of being linked in a loose, elegant knot. He crouched and rubbed a piece of foliage to
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