reasonable.
Miss Nona couldnât wait any longer. âIâm going to call Chanel.â
âParis? Itâs six dollars a minute,â Sophie said.
Nona had the call put through anyway. Each ring sounded like the rattling of tin cans.
Then finally a voice: âAllo, oui?â It sounded so very far away.
âFor Mademoiselle Chanel. Chez Ninon,â the overseas operator said.
âNon.â
âNon?â Miss Nona couldnât believe it. âAsk them if I can leave a message. Pouvez-vous prendre un message? â
âNon.â
The line went dead.
Chapter Three
âClothing is the fabric that defines and measures time.â
âOleg Cassini
A t 4:30 a.m., Kateâs alarm clock fell to the floor, still trilling like a five-and-dime hummingbird. Sheâd rolled over to turn it off but accidentally knocked it over to where it now lay, insistent. Friday. Every bone ached, every muscle felt sore. The list of what had to be done was long and began with Kate hemming a tea-length chiffon cape for a fifteen-year-old girl who would probably be miserable wearing such a creaky old thing. There was also Mrs. Bâs lace ball gown, which needed adjusting: the lace was Spanish and delicate, very prone to unraveling, so it was difficult to tell how long the task would take. And then, maybe, one or two alteration jobs that Maeve couldnât get to because the fittings were overbooked. Two daysâ worth of work needed to be stuffed into eight hours.
It took Kate another moment to realize that her front door was open.
âHello?â
She distinctly remembered locking the door the night before. At least, she thought she did.
âWhoâs there?â
Light from the street lamps shone though the thick tatting of the lace curtains that sheâd made and illuminated the front room. Everything seemed fine. Kate got out of bed and took a quick look around. The tiny white kitchen was still immaculate. Her motherâs bone china teapot, a Belleek with tiny shamrocks, was still gathering dust. Kate took all her meals downstairs with her sister and her familyâthat was part of their agreement. Fourteen dollars a week, and Kate made all the clothes for Maggie and her two Mikes, both big and little, in exchange for room and board.
Next to Kateâs kitchen, the old door that served as her worktable still held the muslin skirt pattern Mr. Charles had made for her. Floor length. He told her it would be âpositively enchantingâ for New Yearâs Eve. Next to it, there were the two bolts of matelassé silk, hand loomed to look like a bed of white roses, that sheâd planned to make it with. The skirt would be too fancy for the dance at the Good Shepherd, but Kate was going to wear it anyway. The bolts were beautiful but flawed. Some places were stained and some were snagged. In a few areas, the quilting was so sloppy that it would have to be redone. It would take Kate weeks to work around the imperfections, but the skirt was worth it. It was always worth it.
If someone was hiding in her tiny apartment, it would be difficult to imagine where. There was barely enough room for Kate. Everywhere one looked, things were stacked upon things. There were dozens of boxes filled with zippers that were grouped according to colorâand the same was true of rickrack and lace. Kate prided herself on having thread of nearly every single shade ever made; she had eleven variations of violet alone. Buttons were kept in old mason jars that lined the windowsills. Patterns were filed in a battered four-drawer cabinet that sheâd found on the street. Fabric was piled everywhere. It was mostly bolts and swatches from Chez Ninonâs remnant roomâthe girls always took their pick. Even though that was somewhat frowned upon, it wasnât really stealing. It was certainly nothing to bother Father John about in confessional. The Ladies eventually threw the excess away. It was
Douglas E. Schoen, Melik Kaylan