bandage wrapped around his waist. He screwed the four-inch tube onto the barrel, and ducked into the room. The nurse was sprawled deep in the recliner, feet in the air, hands dangling, mouth open. Khamel placed the tip of the silencer an inch from his right temple and fired three times. The hands flinched andthe feet jerked, but the eyes remained closed. Khamel quickly reached across to the wrinkled and pale head of Justice Abraham Rosenberg, and pumped three bullets into it.
The room had no windows. He watched the bodies and listened for a full minute. The nurse’s heels twitched a few times, then stopped. The bodies were still.
He wanted to kill Ferguson inside. It was eleven minutes after ten, a good time for a neighbor to be out with the dog for one last time before bed. He crept through the darkness to the rear door and spotted the cop strolling benignly along the wooden fence twenty feet away. Instinctively, Khamel opened the back door, turned on the patio light, and said “Ferguson” loudly.
He left the door open and hid in a dark corner next to the refrigerator. Ferguson obediently lumbered across the small patio and into the kitchen. This was not unusual. Frederic often called him in after His Honor was asleep. They would drink instant coffee and play gin rummy.
There was no coffee, and Frederic was not waiting. Khamel fired three bullets into the back of his head, and he fell loudly on the kitchen table.
He turned out the patio light and unscrewed the silencer. He would not need it again. It and the pistol were stuffed into the Ace bandage. Khamel peeked out the front window. The dome light was on and the agents were reading. He stepped over Ferguson, locked the back door, and disappeared into the darkness of the small rear lawn. He jumped two fenceswithout a sound, and found the street. He began trotting. Khamel the jogger.
________
In the dark balcony of the Montrose Theatre, Glenn Jensen sat by himself and watched the naked and quite active men on the screen below. He ate popcorn from a large box and noticed nothing but the bodies. He was dressed conservatively enough; navy cardigan, chinos, loafers. And wide sunglasses to hide his eyes and a suede fedora to cover his head. He was blessed with a face that was easily forgotten, and once camouflaged it could never be recognized. Especially in a deserted balcony of a near-empty gay porno house at midnight. No earrings, bandannas, gold chains, jewelry, nothing to indicate he was in the market for a companion. He wanted to be ignored.
It had become a challenge, really, this cat-and-mouse game with the FBI and the rest of the world. On this night, they had dutifully stationed themselves in the parking lot outside his building. Another pair parked by the exit near the veranda in the rear, and he allowed them all to sit for four and a half hours before he disguised himself and walked nonchalantly to the garage in the basement and drove away in a friend’s car. The building had too many points of egress for the poor Fibbies to monitor him. He was sympathetic to a point, but he had his life to live. If the Fibbies couldn’t find him, how could a killer?
The balcony was divided into three small sections with six rows each. It was very dark, the only light being the heavy blue stream from the projector behind. Broken seats and folded tables were piled alongthe outside aisles. The velvet drapes along the walls were shredded and falling. It was a marvelous place to hide.
He used to worry about getting caught. In the months after his confirmation, he was terrified. He couldn’t eat his popcorn, and damned sure couldn’t enjoy the movies. He told himself that if he was caught or recognized, or in some awful way exposed, he would simply claim he was doing research for an obscenity case pending. There was always one on the docket, and maybe somehow this might be believed. This excuse could work, he told himself repeatedly, and he grew bolder. But one night in 1990,
Massimo Carlotto, Anthony Shugaar