argumentative tone. âWhy wonât you? Eh? Do you think Iâd run away with you? Do you?â He gave a soft snigger of pleasure at the thought.
âIâm sure you wouldnât,â said Lydia with a scornful decision which she by no means felt. The ladâs soft insistent voice, badgering her with preposterous questions, was introducing her tosensations which were novel to her. She was new to the technique of this love-making of the streets, and it shook her more than she could have imagined possible.
âWhy do you think I shouldnât?â teased the soldier in reply to her last remark. âYouâre very certain about it, arenât you? Why do you think I shouldnât run off with you? You must have some reason for saying that, you know.â
âPlease go away,â said the hapless Lydia firmly.
âOh, oh!â protested the soldier on a long-drawn-out note of plaintive amusement. âDonât say that, miss. Why wonât you come for a walk with me? What harm is there in a walk?
I
donât see why you shouldnât come. Why wonât you come?â
âI donât do that kind of thing,â explained Lydia with as much dignity as she could command.
âOh, well, of course,â agreed the soldier with a large reassuring gesture. âNeither do I. But just for onceââ He broke off abruptly and gazed into the darkness of an unpaved back lane which opened out beyond her. Lydia, following the direction of his glance, thought she saw a form vaguely sketched against some palings there; she strained her eyes to pierce the darkness, but the figure, if it was one, had gone.
âWell,â said her companion in a changed tone, âare you quite sure you wonât come for a walk with me?â
âQuite,â replied Lydia emphatically, summoning all her moral force to her support.
âThen good night, and good luck to you,â returned the soldier with courteous finality. He sketched a salute, turned on his heel, and vanished abruptly down the lane.
Lydia, thus left alone, was, of course, intensely relievedâas she told herselfâby his departure; but somehow, too, a feeling of disappointment was in the air. Her heart had beaten pleasurably fast during the last few moments. She reviewed the whole ridiculous episode with the superior smile which became a Tolefree Mellor; but somehow the ladâs caressing voice, the sparkle of his merry eyes beneath the lamps, his charming smile, the Celtic manner of his attack, did not strike unpleasantly upon her recollection. With her hand upon the gate of Foyle Tower, Lydia decided that she did not wish, yet, to pass its austere portals; there was beauty, now, in the flashing lights; poetry in the seaâs endless roll. She turned aside and made for a âshelterâ of glass and wood which graced the front and gave upon the sea. When she was ensconced there in a windless corner, her conscience began to reproach her. Ought she not, most decidedly, to have withdrawn at once to the safety of Foyle Tower, after the recent disgraceful incident? Was she not inviting, by her presence there, a repetition of that incident? At this thought she started to her feet; and stood poised for flight, while obscure forces battled within her. If she should see himagain! What a terrible episode for the Reverend Charles Mellorâs daughter to be involved in! Yet at the same time she could not but admit, in a strong wave of feeling, that there was truth in that verse of Louiseâs favourite poetâLouiseâs passion for esoteric poetry was the theme of many affectionate jokes in Cromwell Placeâwhich ran:
Abstinence sows sand all over
The ruddy limbs and flaming hair,
But desire gratified
Plants fruits of life and beauty there.
With a little sigh Lydia sank down again in her corner, and at that moment she saw the soldier again.
He was not, however, alone; for by his side walked the