The Paris Architect: A Novel Read Online Free PDF

in light, with glass walls separated by steel mullions one meter apart. Every ten meters he added a brick wall. The entry would have a curving brick wall leading to a deeply recessed glass doorway. Maybe the whole thing could be built of poured concrete, with powerful-looking arches on the inside. He smiled as he drew the profile of the arches, each one with its own flaring buttress to resist the outward thrusts. He tried four different profiles until he settled on the one he liked best.
    Lucien had visited Walter Gropius’s Fagus Factory in Germany in the ’30s and had been dazzled by the sleek, clean design. Since then, Lucien had always wanted to design a factory complex. Although it had come to him in a most bizarre way, this commission could be the opportunity he’d been looking for. To prove that he really had talent by designing a large, important building.
    He drained the wine in his glass and stared out across the lifeless rue Kepler. The biggest shock he’d experienced when he’d returned to Paris was its surreal emptiness. The boulevard Saint-Germain, the rue de Rivoli, the Place de la Concorde—all were deserted most of the time. Before the war, even the rue Kepler would have had a steady stream of pedestrians in the evening hours. Lucien had loved to gaze out at the city while sipping his coffee or wine in a café, watching for interesting faces and especially beautiful women. But as Lucien sat by the window now, he saw very few people and it saddened him. The Boche had sucked the wonderful street life out of his beloved Paris.
    Lucien never got the chance to fight the Germans. Though he hated their guts, he knew he would’ve been a terrible soldier in battle—he was scared of guns. Honor and service to country were ideals cherished by the French, although he’d always thought of them as a load of patriotic horse manure. But since his return to Paris, he’d had a gnawing feeling inside him that he was a coward. This was reinforced by the fact that there were so many women in Paris and so few men—most had been killed or captured during the invasion. But not Lucien. His neighbor, Madame Dehor, had a lost a son, blown to bits attempting to stop a Panzer tank. Six months after the boy’s death, he could still hear her wailing uncontrollably through the thick walls of the apartment building. Secretly, Lucien was ashamed that he was so useless to his country. Sometimes, he felt guilty that he was alive.
    And Lucien knew he didn’t have the guts to join the Resistance. Besides, he didn’t believe in their cause. It was made up of a bunch of fanatical Communists who’d commit some stupid, meaningless act of sabotage that would trigger the Germans to kill scores of hostages in retaliation.
    Lucien looked at the sketch of the factory. On the whole, Manet was offering him a pretty good deal—if you removed the possibility of torture and death by the Gestapo. One secret hiding place he designed in less than an hour, in exchange for twelve thousand francs, which could buy plenty of black market goods. Plus the factory commission. He flipped the paper over to the sketch of the column, which immediately brought a smile to his face. The sense of mastery and excitement he had felt in the apartment returned. He’d experienced such intense pleasure when he’d realized that the column would work. Maybe this was something he could do to get back at the Germans. Sure, he couldn’t risk his neck by shooting them, but he could risk it in his own way. And besides, given the solution he’d invented, was there really that much risk? The Gestapo would search and search the apartment and never find the hiding place. That image pleased the hell out of him.
    This was suicidal. But something within Lucien compelled him to do it.
    ***
    “You’re what the Jews call a mensch , Monsieur Bernard,” said Manet, who took a sip of wine. Lucien had made sure they had a table off by themselves.
    “What the hell does that mean?”