beau?
Melissa, who was tall, skinny, blond, and blue-eyed, rolled her eyes at that last question. âDonât be silly, Ginny. The whole world knows Joanna Grahame hasnât got a beau. She is done with romance. Her heart has been through the wringer once too often.â
Betty, an intermediate like Ginny, tsked and shook her head. âYou talk like one of those movie magazines.â
âOf course she does, thatâs all she reads,â said Ginny.
âThat and comic books,â said Bert.
âDonât make fun,â said Caro.
âYeah, Bert, âcause you donât read at all,â said Melissa.
Next to Caro at the table was four-year-old Annabelle. She had never seen a motion picture or till now heard the word
glamour
, but still she felt the excitement.
âIs Joanna Grahame a princess?â she whispered to Caro.
âSort of,â Caro said. âOnly her mother isnât a queen.â
âMy mother isnât a queen,â said Annabelle thoughtfully. âSo can I be a princess?â
Across the table, Ricky heard her and snorted. âYou havenât got a mother, or a father, either.â At fifteen, Ricky had been at Cherry Street longer than any of the other children present. On his sixteenth birthday, heâd be released for good to make his way in the world.
âHave, too, got a mother,â said Annabelle stoutly. âSheâs dead. But Iâve still got her. Thereâs a picture in a frame.â
This flummoxed Ricky, and Caro jumped in. âYou can playact youâre a princess,â she told Annabelle. âThatâs what movie stars do. They pretend to be other people and get paid lots of money.â
Jimmy Levineâs seat was next to Rickyâs. âItâs a good racket, all right,â he said. âExcuse me, maâam. Mrs. George?â
âWhat is it, Jimmy?â Mrs. George had let the children chatter longer than usual.
âI presume our chores are canceled? Under the circumstances, I mean?â
âOn the contrary,â said Mrs. George. âMiss Grahame is arriving in her automobile at eleven. Weâll want our home looking its best, and you have plenty of time to do chores. Annabelleâthereâs jam on your nose.â
âYes, maâam.â Annabelle touched her tongue to the spot without effect.
âCarolyn?â said Mrs. George.
âYes, maâam.â Caro took the tip of her napkin and wiped Annabelleâs nose.
âCan I ask a question, maâam?â said Louisa, who was six. âWill the movie star make a movie about us?â
âShe doesnât make the movies, she just acts in them,â said Angela, another of the older girls.
âThatâs correct,â said Mrs. George. âBut you never know, Louisa. A movie about a nice home like ours, a home with happy children, would be refreshing.â
Mrs. George never called the Cherry Street Home an orphanage. To her, the word denoted sickly children with hollow eyes who were beaten and fed gruel. Cherry Street was nothing like that. Rather, it had been established by Mr. and Mrs. C. Philips-Bodbetter in 1936 to model the most progressive methods for rearing abandoned children of all races, creeds, and backgrounds.
A kind couple who had made their fortune manufacturing baby powder, the Philips-Bodbetters were much too busy to run the home themselves. For advice on management, they turned to a lawyer friend, who suggested an attractive widow to serve as headmistress. At the interview, the widow showed herself to be so self-possessed, so well-spoken, and so obviously capable that they hired her after only the most cursory check into her background.
Similarly impressed, the newly constituted board of directors left it to Mrs. Georgeâfor she was the widowâto hire the staff.
The girlsâ matron, Polly Merkel, was an old acquaintance of Mrs. Georgeâs who had been on the job