The New Weird
on."
    They believed, too, at least the older ones did, that huge fish had once lived there.
    "There are no tides of course, and fish of any kind are rarely found there now. All the same, in Henrietta Street once a year they bring out a large stuffed pike, freshly varnished and with a bouquet of thistles in its mouth, and walk up and down the causeway with it, singing and shouting.
    "And then ― it's so hard to explain! ― echoes go out over that stuff in the pool whenever you move, especially in the evening when the city is quiet: echoes and echoes of echoes, as though it were contained in some huge vacant metal building. But when you look up there is only the sky."
    "Well, Lympany," said Crome aloud to himself. "You were right."
    He yawned. Whistling thinly and flapping his arms against his sides to keep warm, he paced to and fro underneath the gibbet. When he stood on the meagre strip of pebbles at its edge, a chill seemed to seep out of the pool and into his bones. Behind him Henrietta Street stretched away, lugubrious and potholed. He promised himself, as he had done several times that night, that if he turned round, and looked down it, and still saw no one, he would go home. Afterwards he could never quite describe to himself what he had seen.
    Fireworks flickered a moment in the dark, like the tremulous reflections made by a bath of water on the walls and ceilings of an empty room, and were gone. While they lasted, Henrietta Street was all boarded-up windows and bluish shadows. He had the impression that as he turned it had just been vacated by a number of energetic figures ― quiet, agile men who dodged into dark corners or flung themselves over the rotting fences and iron railings, or simply ran off very fast down the middle of the road precisely so that he shouldn't see them. At the same time he saw, or thought he saw, one real figure do all these things, as if it had been left behind by the rest, staring white-faced over its shoulder at him in total silence as it sprinted erratically from one feeble refuge to another, and then vanishing abruptly between some houses.
    Overlaid, as it were, on both this action and the potential or completed action it suggested, was a woman in a brown cloak. At first she was tiny and distant, trudging up Henrietta Street towards him; then, without any transitional state at all, she had appeared in the middle ground, posed like a piece of statuary between the puddles, white and naked with one arm held up (behind her it was possible to glimpse for an instant three other women, but not to see what they were doing -except that they seemed to be plaiting flowers); finally, with appalling suddenness, she filled his whole field of vision, as if on the Unter-Main-Kai a passerby had leapt in front of him without warning and screamed in his face. He gave a violent start and jumped backwards so quickly that he fell over. By the time he was able to get up the sky was dark again, Henrietta Street empty, everything as it had been.
    The woman, though, awaited him silently in the shadows beneath the gibbet, wrapped in her cloak like a sculpture wrapped in brown paper, and wearing over her head a complicated mask made of wafery metal to represent the head of one or another wasteland insect. Crome found that he had bitten his tongue. He approached her cautiously, holding
    out in front of him at arm's length the paper Verdigris had given him.
    "Did you send me this?" he said.
    "Yes."
    "Do I know you?"
    "No."
    "What must I do to stop these dreams?"
    She laughed. Echoes fled away over the Aqualate Pond.
    "Kill the Mammy," she said.
    Crome looked at her.
    "You must be mad," he said. "Whoever you are."
    "Wait," she recommended to him, "and we'll see who's mad."
    She lowered the corpse in its wicker cage ― the chains and pulleys of the gibbet gave a rusty creak ― and pulled it towards her by its feet. Momentarily it escaped her and danced in a circle, coy and sad. She recaptured it with a murmur. "Hush
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