job?â
The thought of having a whole wall to cover with paintâand in such a public placeâboth intimidated and excited her. Sheâd always had a secret dream of making a living as an artist, but sheâd never told a soul. How had D. J. known?
Both women stared at her, expressions expectant. âOkay. Do you know what you want?â
âWe thought you could work up some drawings for us to look at and weâll pick one,â Danielle said.
âAnd tell us your price,â Janelle added.
âI guess I could do that.â Could she? She hadnât a clue how to begin, but she wasnât about to pass up a chance like this.
âNo hurry,â Danielle said. âMaybe some time in the next week or two.â
âOkay.â Numb, the jar of olives still clutched tightly to her chest, she turned to leave. âThanks.â
D. J. was just climbing out of his truck in front of the Dirty Sally when Olivia came down the walk from the café. Still basking in the warm glow of the girlsâ flattery, she forgot to be angry at him.
âHey, Olivia,â he said.
âHey, D. J.â
âYouâre looking happy about something,â he said, following her into the bar. The three couples from Texas were still at their table near the front window, laughing about something. Bob had showed up and sat at the bar, talking to Reggie. Everything was the same as any other afternoon in the Dirty Sally, but for Olivia everything was different.
She turned to face D. J. âThanks for suggesting me to Danielle and Janelle to paint their mural,â she said.
âThey gave you the job, then?â
âYeah, Iâm going to do some drawings and get back to them. I figure Lucas can help me with the local history stuff.â
âHe told me he did a bunch of research for a project in school.â
âHis teacherâs idea to keep him out of trouble. Heâs so damn smart.â Pride for her kid mingled with her own sudden happiness and she didnât even try to hold back a smile.
âHe is that. Iâm glad youâre going to paint the mural. You deserve to have more people see your talent.â
âI canât believe you even noticed.â For the first time in a long time she let herself meet his gaze. âItâs not like I was always painting or anything.â
âNo, but you couldnât sit still for five minutes without doodling some little drawing, and you always put your own artistic touch on things, like that shirt youâre wearing. Iâll bet you painted that.â
âYeah.â She smoothed the shirt again, once more uncomfortable with the intensity of his gaze. She set the olives on the bar. âWell, thanks anyway for recommending me.â
âYouâre welcome. I just came from the county offices. I got a job driving a snowplow.â
âWhat do you know about driving a snowplow?â Until heâd moved to Connecticut, D. J. had spent most of his life in Texas and Oklahoma, where they never got enough snow to plow.
âI drove heavy equipment in Iraq. A snowplow is just another big machine.â
Snowplowing jobs were some of the best paying in the county, or so the guys who propped up the bar said. The work involved early hours and long treks into the mountains to clear high passes. At least one plow driver was pushed over the side each year by avalanches. Most survived the trip, but a monument up on Black Mountain Pass testified to all those who hadnât made it.
She pushed such macabre thoughts aside. âBob says the snow is late this year, so you might not have any work.â
âIâll find ways to keep myself busy.â
She couldnât look at him anymore. He made her feel too weak-kneed and uncertain. âYeah, well, thanks again. I better get to work.â
âIâll see you around.â He turned and strode out of the bar, a big man with broad shoulders and a
Benjamin Blech, Roy Doliner