said. “Three murders have been
committed that share an extremely unusual feature: the
monogrammed cufflink in the mouth. Most assuredly I
will go to the Bloxham Hotel.”
“Aren’t you supposed to be avoiding stimulation
and resting your brain?” I asked.
“ Oui. Précisément.” Poirot glared at me. “It is not
restful for me to sit in this chair all day and think of
you omitting to mention to anybody my meeting with
Mademoiselle Jennie, a detail of the utmost
importance! It is not restful for me to consider that
Jennie runs around London giving her murderer every
opportunity to kill her and put his fourth cufflink in
her mouth.”
Poirot leaned forward in his chair. “Please tell me
that this at least has struck you: that cufflinks come in
pairs ? You have three in the mouths of the dead at the
Bloxham Hotel. Where is the fourth, if not in the
pocket of the killer, waiting to go into the mouth of
Mademoiselle Jennie after her murder?”
I’m afraid I laughed. “Poirot, that’s just plain silly.
Yes, cufflinks normally come in pairs but really, it’s
quite simple: he wanted to kill three people, so he
only used three cufflinks. You can’t use the notion of
some dreamed-up fourth cufflink to prove anything—
certainly not to link the hotel murders to this Jennie
woman.”
Poirot’s face had taken on a stubborn cast. “When
you are a killer who decides to use cufflinks in this
way, mon ami, you invite the thought of the pairs. It is
the killer who has put before us the notion of the
fourth cufflink and the fourth victim, not Hercule
Poirot!”
“But . . . then how do we know he doesn’t have six
victims in mind, or eight? Who is to say that the
pocket of this killer doesn’t contain five more
cufflinks with the monogram PIJ?”
To my amazement, Poirot nodded and said, “You
make a good point.”
“No, Poirot, it’s not a good point,” I said
despondently. “I conjured it up out of nowhere. You
might enjoy my flights of fancy, but I can promise you
my bosses at Scotland Yard won’t.”
“Your bosses, they do not like you to consider
what is possible? No, of course they do not,” Poirot
answered himself. “And they are the people in charge
of catching this murderer. They, and you. Bon. This is
why Hercule Poirot must go tomorrow to the Bloxham
Hotel.”
At the Bloxham Hotel
THE FOLLOWING MORNING AT the Bloxham, I could not
help but feel unsettled, knowing that Poirot might
arrive at any moment to tell us simple police folk how
foolishly we were approaching the investigation of
our three murders. I was the only one who knew he
was coming, which set me rather on edge. His
presence would be my responsibility, and I was
afraid that he might demoralize the troops. If truth be
told, I feared that he might demoralize me. In the
optimistic light of an unusually bright February day,
and after a surprisingly satisfactory night’s sleep, I
couldn’t understand why I hadn’t forbidden him from
coming anywhere near the Bloxham.
I didn’t suppose it mattered, however; he would
not have listened to me if I had.
I was in the hotel’s opulent lobby, talking to a Mr.
Luca Lazzari, the hotel’s manager, when Poirot
arrived. Lazzari was a friendly, helpful and startlingly
enthusiastic man with black curly hair, a musical way
of speaking, and a mustache that was in no way the
equal of Poirot’s. Lazzari seemed determined that I
and my fellow policemen should enjoy our time at the
Bloxham every bit as much as the paying guests did—
those that did not end up getting murdered, that is.
I introduced him to Poirot, who nodded curtly. He
seemed out of sorts and I soon learned why. “I did not
find Jennie,” he said. “Half the morning I waited at
the coffee house! But she did not come.”
“Hardly ‘half the morning,’ Poirot,” I said, for he
was prone to exaggeration.
“Mademoiselle Fee also was not there. The other
waitresses,
Elizabeth Amelia Barrington