build a keep and maintain a high-profile presence in Luthadel was considered to be a Great House.
Most of the open ground in the city was around these keeps. The patches of space amid the tenements were like clearings in a forest, the keeps themselves like solitary mounts rising above the rest of the landscape. Black mountains. Like the rest of the city, the keeps were stained by countless years of ashfalls.
Every structure in Luthadel—virtually every structure Kelsier had ever seen—had been blackened to some degree. Even the city wall, upon which Kelsier now stood, was blackened by a patina of soot. Structures were generally darkest at the top, where the ash gathered, but rainwaters and evening condensations had carried the stains over ledges and down walls. Like paint running down a canvas, the darkness seemed to creep down the sides of buildings in an uneven gradient.
The streets, of course, were completely black. Kelsier stood waiting, scanning the city as a group of skaa workers worked in the street below, clearing away the latest mounds of ash. They’d take it to the River Channerel, which ran through the center of the city, sending the piles of ash to be washed away, lest it pile up and eventually bury the city. Sometimes, Kelsier wondered why the entire empire wasn’t just one big mound of ash. He supposed the ash must break down into soil eventually. Yet, it took a ridiculous amount of effort to keep cities and fields clear enough to be used.
Fortunately, there were always enough skaa to do the work. The workers below him wore simple coats and trousers, ash-stained and worn. Like the plantation workers he had left behind several weeks before, they worked with beaten-down, despondent motions. Other groups of skaa passed the workers, responding to the bells in the distance, chiming the hour and calling them to their morning’s work at the forges or mills. Luthadel’s main export was metal; the city was home to hundreds of forges and refineries. However, the surgings of the river provided excellent locations for mills, both to grind grains and make textiles.
The skaa continued to work. Kelsier turned away from them, looking up into the distance, toward the city center, where the Lord Ruler’s palace loomed like some kind of massive, multi-spined insect. Kredik Shaw, the Hill of a Thousand Spires. The palace was several times the size of any nobleman’s keep, and was by far the largest building in the city.
Another ashfall began as Kelsier stood contemplating the city, the flakes falling lightly down upon the streets and buildings. A lot of ashfalls, lately, he thought, glad for the excuse to pull up the hood on his cloak. The Ashmounts must be active.
It was unlikely that anyone in Luthadel would recognize him—it had been three years since his capture. Still, the hood was reassuring. If all went well, there would come a time when Kelsier would want to be seen and recognized. For now, anonymity was probably better.
Eventually, a figure approached along the wall. The man, Dockson, was shorter than Kelsier, and he had a squarish face that seemed well suited to his moderately stocky build. A nondescript brown hooded cloak covered his black hair, and he wore the same short half beard that he’d sported since his face had first put forth whiskers some twenty years before.
He, like Kelsier, wore a nobleman’s suit: colored vest, dark coat and trousers, and a thin cloak to keep off the ash. The clothing wasn’t rich, but it was aristocratic—indicative of the Luthadel middle class. Most men of noble birth weren’t wealthy enough to be considered part of a Great House—yet, in the Final Empire, nobility wasn’t just about money. It was about lineage and history; the Lord Ruler was immortal, and he apparently still remembered the men who had supported him during the early years of his reign. The descendants of those men, no matter how poor they became, would always be favored.
The clothing would keep
John R. Little and Mark Allan Gunnells
Sean Thomas Fisher, Esmeralda Morin