the few, perhaps for the future, yet never to reap the rewards that he would relish now, such as his own house and a beautiful garden and no
anxiety about what was to come. He retained his pride in decisions taken, the fact that he had never compromised, that his back ached and his eyes hurt solely because he continued to labour all day
at an art that was pure and unconstrained by mere mercenary ambitions.
For his father and his brother, and for many in London too, a failure in the market was a kind of success, and a success in the market a matter not to be discussed. He did not ever in his life
actively seek the hard doom of general popularity. Nonetheless, he wanted his books to sell, he wanted to shine in the marketplace and pocket the proceeds without compromising his sacred art in any
way.
It mattered to him how he was seen; and being seen not to lift a finger to make his works popular pleased him; being seen to devote himself in solitude and selfless application to a noble art
gave him satisfaction. He recognized, however, that lack of success was one thing, but abject failure was another. Thus his failure in the theatre, so public, so notorious and so transparent,
managed to make him uneasy in company and unwilling to venture much into the wider world of London society. He felt like a general who had come back from a battlefield complete with a scent of
defeat, and whose presence in the warm bright rooms of London would seem incongruous and unhappy.
He knew military men in London. He had moved carefully and easily among the powerful, and he had listened with close attention to the English talk about political intrigue and military valour.
As he sat amid the usual collection of rich accessories and old warriors at Lord Wolseley’s house in Portman Square, he often thought of what his sister Alice or his brother William would say
if they heard the densest of imperial war talk after dinner, the deep and hearty discussions about troops and attacks and slaughter. Alice had been the most anti-imperialist of the family; she had
even loved Parnell and longed for Home Rule for Ireland. William had his Irish sentiments too and indeed his anti-English attitudes.
Lord Wolseley was cultivated, as all of them were, and he was well-mannered and fascinating with rosy dimples and piercing eyes. Henry was in the company of these men because their wives wished
him to be. The women liked his manners and his grey eyes and his American origin, but more than anything they enjoyed his way of listening, of drinking in every word, asking only pertinent
questions, acknowledging by his gestures and replies the intelligence of his interlocutor.
It was easier for him if there were no other writers present, no one who knew his work. The men who gathered after dinner for anecdotes and political gossip never interested him as much as what
they said interested him; the women, on the other hand, always interested him, no matter what they said. Lady Wolseley interested him a great deal because she was all cleverness and sympathy and
charm and had the air and manners and taste of an American. She had the habit of surveying the room in wonder and open admiration for her guests, and then turning her smile on her closest companion
and speaking quietly as though imparting a secret.
He needed to leave London, but he did not think that he could bear to be alone anywhere. He did not want to discuss his play and he did not think he could work. He determined that if he
travelled things would be different on his return. His mind was full of visions and ideas. He prayed and hoped that his imagination might be equal to pages written. That was all he wanted, he now
believed.
He went to Ireland since it was easy to travel there and because he did not believe it would strain his nerves. Neither Lord Houghton, the new Lord Lieutenant, whose father he had also known,
nor Lord Wolseley, who had become Commander-in-Chief of Her Majesty’s forces in