would not get a Third: he had set his sights on a Third, well aware that to have set them higher would not be wise. He brought his little bottles of vodka to the Professor’s parties as an act of bravado, a gesture designed to display jauntiness, to show that he could take a chance. But the chances he took with his vodka were not great.
Bewley Joal, who would end up with a respectable Second, was laying down the law to Yvonne Smith, who would be grateful to end up with anything at all. Her natural urge to chatter was stifled, for no one could get a word in when the clanking voice of Bewley Joal was in full flow. ‘Oh, it’s far more than just a solution, dear girl,’ he breezily pronounced, speaking of Moral Rearmament. Yvonne Smith nodded and agreed, trying to say that an aunt of hers thought most highly of Moral Rearmament, that she herself had always been meaning to look into it. But the voice of Bewley Joal cut all her sentences in half.
‘I thought we’d start,’ the Professor announced, having coughed and cleared his throat, with the “Pathétique”.’ He fiddled with the record-player while everyone sat down, Ruth Cusper on the floor. He was a biggish man in a grey suit that faintly recalled the clothes of Woodward, Whipp and Woolmer-Mills. On a large head hair was still in plentiful supply even though the Professor was fifty-eight. The hair was grey also, bushing out around his head in a manner that suggested professorial vagueness rather than a gesture in the direction of current fashion. His wife, who stood by his side while he placed a record on the turntable, wore a magenta skirt and twin-set, and a string of jade beads. In almost every way – including this lively choice of dress – she seemed naturally to complement her husband, to fill the gaps his personality couldn’t be bothered with. Her nervous manner was the opposite of his confident one. He gave his parties out of duty, and having done so found it hard to take an interest in any students except those who had already proved themselves academically sound. Mrs Skully preferred to strike a lighter note. Now and again she made efforts to entice a few of the girls to join her on Saturday evenings, offering the suggestion that they might listen together to Saturday Night Theatre and afterwards sit around and discuss it. Because the Professor saw no point in television there was none in the Skullys’ house.
Tchaikovsky filled the sitting-room. The Professor sat down and then Mrs Skully did. The doorbell rang.
‘Ah, of course,’ Mrs Skully said.
‘Valerie Upcott,’ Valerie said. ‘Good evening, Mrs Skully.’
‘Come in, come in, dear. The “Pathétique’s” just started.’ She remarked in the hall on the green corduroy dress that was revealed when Valerie took off her coat. The green was of so dark a shade that it might almost have been black. It had large green buttons all down the front. ‘Oh, how really nice!’ Mrs Skully said.
The crackers that decorated the scenes of Hanover looked sinister, Valerie thought: Christmas was on the way, soon there’d be the coloured lights and imitation snow. She smiled at Mrs Skully. She wondered about saying that her magenta outfit was nice also, but decided against it. ‘We’ll slip in quietly,’ Mrs Skully said.
Valerie tried to forget the crackers as she entered the sitting-room and took her place on a chair, but in her mind the brash images remained. They did so while she acknowledged Kilroy’s winking smile and while she glanced towards the Professor in case he chose to greet her. But the Professor, his head bent over clasped hands, did not look up.
Among the history students Valerie was an unknown quantity. During the two years they’d all known one another she’d established herself as a person who was particularly quiet. She had a private look even when she smiled, when the thin features of her face were startled out of tranquillity, as if an electric light had suddenly been