his hands as he told the story he had so often told before.
Plate and basin, one could see, and as the little one heard once again, had not originally belonged together; but, Grandfather said, they had been in use together for a round hundred years, or since the time when the basin was made. The latter was very beautiful, of simple and elegant form, in the severe taste of the early nineteenth century. It rested, plain and solid, on a round base, and had once been gilt within, but the gilding had faded with time to a yellow shimmer. Its single decoration was a chaste garland of roses and serrated leaves about the brim. As for the plate, its far greater antiquity could be read on the inside: the date 1650 was engraved there in ornamental figures, framed in curly engraved lines executed in the “modern manner” of the period, florid and capricious devices and arabesques that were something between star and flower. On the back, engraved in a variety of scripts, were the names of its successive owners, seven in number, each with the date when it had passed into his hands. The old man named each one to his grandson, pointing with beringed index finger. There was Hans Castorp’s father’s name, there was Grandfather’s own, there was Great-grandfather’s; then the “great” came doubled, tripled, quadrupled, from the old man’s mouth, whilst the little lad listened, his head on one side, the eyes full of thought, yet fixed and dreamy too, the childish lips parted, half with awe, half sleepily. That great-great-great-great—what a hollow sound it had, how it spoke of the falling away of time, yet how it seemed the expression of a piously cherished link between the present, his own life, and the depth of the past! All that, as his face showed, made a profound impression. As he listened to the great-great-great, he seemed to smell the cool, earthy air of the vault of St. Michael’s or Saint Katherine’s; the breath of regions where one went hat in hand, the head reverently bowed, walking weavingly on the tips of one’s toes; seemed, too, to hear the remote and set-apart hush of those echoing places. Religious feeling mingled in his mind with thoughts of death and a sense of history, as he listened to the sombre syllable; he received therefrom an ineffable gratification—indeed, it may have been for the sake of hearing the sound that he so often begged to see the christening basin.
Grandfather set the vessel back on the tray, and let the boy look into the smooth, faintly golden inside, which caught the light from the window in the ceiling. “Yes,” he said, “it will soon be eight years since we held you over it, and the water flowed into it from your baptism. Lassen, the sexton of St. Jacob’s, poured it into our good Pastor Bugenhagen’s hand, and it ran out over your little topknot and into the basin. We had warmed it, so it should not frighten you and make you cry, and you did not; you cried beforehand, though, so loud that Bugenhagen could hardly get on with the service, but you stopped when you felt the water—and that, let us hope, was out of respect for the Holy Sacrament. A few days from now it will be forty-four years since your blessed father was a baby at the baptismal font, and it was over his head the water flowed into the basin. That was here in this house, where he was born, in front of the middle dining-room window, and old Pastor Hezekiel was still alive. He was the man the French nearly shot when he was young, because he preached against their burning and looting. He has been with God these many years. Then, five-and-seventy years ago, I was the youngster whose head they held over this selfsame basin; that was in the dining-room too, and the minister spoke the very words that were spoken when you and your father were baptized, and the clear, warm water flowed over my head precisely the same way—there wasn’t much more hair than there is now—and fell into this golden bowl just as it did over