was just asking,â she said. âItâs hard to tell what a guyâs like these days and you look like you already had one hung on you.â
âYou mean the head?â
âThat and your jacket.â
Pop shoved his plate back and picked up the last of his drink. âHe got that from the cops, honey.â
The smile waned away. âCops?â
âHis name is Johnny McBride.â
That beautiful mouth made a curve that said a silent âOhlâ that became part of a frightened scrowl. âYou mean ...â
I took it up from there. âThe police would like to prove that I killed somebody.â
âBut ... they did!â
âYou ought to speak to them and find out.â
Her eyes went between me and Pop. He jerked his thumb at me. âLook at his fingers, Wendy.â
I turned my hands over and let her have a peek at the smooth surfaces of my fingers. There was nothing ugly about them. A lot of hard work rigging oil derricks had taken away most of the discoloration and they would have looked just like fingers if they werenât so slick.
She was going to say something, but Pop beat her to it. âHeâs crazy.â
I pulled my hands back and picked up the butt. âYouâd be surprised how sane I am.â My voice had a hard edge to it.
Pop caught it the first time. âWhat do ya mean?â âWhyâd you bring me here, Pop? There were plenty of places to eat in town.â
He didnât answer.
âBefore you left you made a phone call. It was to blondie here. Why?â
It caught him with his mouth open. He let it hang that way for a second before closing it sheepishly. âYou was listening,â he accused me.
âListening nuts. Iâm guessing and Iâm guessing right.â
âYouâre right, Johnny. He called me.â I grinned at the blonde and let her throw the ball to the old duffer.
âOkay, Johnny,â he said, âI called her. Now Iâll tell you why. I think youâre a plain damn fool for sticking around, but thatâs your business and Iâm not butting in there. Just the same, you park right out where everybody can see you and youâre asking for trouble. Wendy here owns a pretty big house and sheâs going to take you in.â
âThat all?â I asked.
âThatâs all, Johnny.â He stopped and stared at his plate. âCanât you tell me whatâs biting you?â
âNo. Nothingâs biting me.â
âAh, I donât know. A guyâs not much help when heâs old, I guess. When you was a little kid and used to hang around the station I was the guy who fixed your kites and took the knots outa your fishing line. Ever since you got into trouble Iâve worried myself sick over you. Come on, letâs get outta here.â
And there it was, another piece of history that went back twenty years. Like most kids, I was supposed to have made the station a regular hangout. I bet I even used to know the schedules by heart. Now I could quit worrying about why the old guy was so damn friendly. It was nice to know those things, especially when I had never seen him before in my life.
Wendy picked up her hat and purse, said so-long to Louie and the bar crowd, then joined us outside. There was only room for two in the front of the Ford, so I got in back and took it easy awhile. Nobody said anything until the car rolled in against the platform, then the old boy got out and told me to get up front.
I said, âSure, Pop.â
He gave a tug at his mustache and glared at me. âAnd damnit, stop calling me âPopâ! You know my name as well as I do!â
âOkay, Mr. Henderson.â
âYou sure got fresh in five years, Johnny.â He stamped away, but got over his mad soon enough to turn around and wave.
We waved back and he disappeared inside.
The station was still empty.
âWhere you staying, Johnny?â
âHathaway
Leighann Dobbs, Emely Chase