pages of a novel. My motherâs emptying the dishwasher, and my fatherâs on his leather recliner, reading the paper, so he can have a ringside seat when Aldo arrives. Crash is upstairs for hiding the TVâs remote because my mother wouldnât let him watch a rerun of Good Luck Charlie .
When the doorbell rings, everyone freezes except for me and Spot, whoâs barking and attacking the screen door. I open it a crack, and Aldo says, âIs Irene home?â
âNo,â I say. âShe ran off with a Russian ballet dancer.â
âI thought it was a Bulgarian prince.â
âThat was last week.â
Aldo smirks. âWell, tell her Iâll have the car running.â
âIâm telling the truth this time,â I say.
He starts to walk to his car, an old black BMW with a sharp-toothed caveman painted on the hood. I have to admit, itâs pretty cool. Suddenly, he turns and says, âTell your father I miss him.â
Before I can reply, Ireneâs at the door with her backpack. âYouâre impossible,â she says, kissing me on the cheek, âbut I love you.â Sometimes I wish sheâd smack me or cut holes in the crotch of my jockey shorts.
I watch her get into Aldoâs car and drive away, thinking his car and Ireneâs personality are oddly contradictory. To my father, itâs probably like watching Alice in Wonderland disappear on Attila the Hunâs horse. I sit down on the couch and look up âcontradictoryâ: âinconsistent, incompatible, supineâ (forget that one), and finally come to what Iâm looking for, âincongruous.â âAldo and Irene are an incongruous couple.â Thatâs my phrase for Beanie and Jocko today.
âIs it really necessary to tease Aldo?â my mother asks.
âAll great heroes have to pass a test,â I say, echoing one of my fatherâs expressions.
She looks professional today in a light-blue pants suit. She has long, curly blond hair and green eyes. I wish I had gotten that hair. Mine is straight and black, so I keep it short. My father says I got the Black Irish gene, whatever that means.
âI find this constant teasing negative and a waste of time,â she says.
Thereâs that word again.
âYou can also see it as humorous,â my father interrupts.
âWhat could possibly be funny about telling that poor boy every morning that Irene has eloped with assorted strange men?â
â Repetition is a fundamental staple of comedy,â my father says. âWe laugh at comedians when they keep hitting themselves in the face with a hammer. Thatâs why Charlie Chaplin was so famous.â
âIâm not one of your students, Colin,â she says, then turns her attention to me. âAnything unusual happening in school today?â She says it as if she already knows.
âNo,â I say.
âNot even in Ms. Butterfieldâs class?â
âNot that I know of.â
âNot something to do with poetry?â
âOh yeah,â I say, as if just remembering, then add, âWhat do you do, talk to her every day?â
âIt was on the website.â
âReally?â
âYes, itâs always exciting when a guest visits. Ms. Butterfield has brought that dimension to your school.â
Iâm about to respond, impressed by her use of âdimension,â but Crash interrupts from upstairs. âIâm going to be late for my bus,â he says. Heâs right, so I walk him there, returning just in time to meet up with Beanie and Jocko, who are parked by my front door on their bikes.
âAldo and Irene are an incongruous couple,â I say.
âWow, youâre on your game today,â Jocko says. Heâs a big kid with a round face, a buzz cut, and so many freckles his face glows like a wet pumpkin. His size makes him appear tough, but heâs no bully. In fact, he can be kind of nervous and