secretary to send lay on top of the coffin. On the ribbon it said simply 'Jon'.
After they sat down, Jon leaned towards Iversen. 'Who are all these people?'
Iversen hesitated for a moment before he answered. 'Friends of Libri di Luca,' he whispered.
Jon's eyes opened wide. 'Business must be good,' he said in a low voice, looking around. He estimated there to be about a hundred people in the chapel.
From his childhood he remembered well the regular customers who came to the shop, but it surprised him that there would be so many, and that they would feel obligated to come to the funeral. The customers he remembered best were strange individuals, shabby eccentrics who spent their money on books and catalogues instead of on food and clothes. They could roam about for hours without buying anything, and many times they would come back the next day, or two days later, and once again scour the shelves, as if they were checking to see when the fruit would be ripe and ready for picking.
A priest entered the chapel and seemed to float in his embroidered surplice over to the pulpit on the other side of the coffin. The scattered whispering in the room died away and the ceremony began. The priest swung the censer towards those who were present and the discreet aroma of incense spread through the chapel. After that the priest's calm voice filled the air with words about sanctuaries, breathing spaces, about belonging and giving other people experiences, and about the fundamental values in life such as art and literature.
'Luca was a guarantor for these values,' intoned the priest. 'A man generous with his warmth, knowledge and hospitality.'
Jon stared straight ahead. Behind him he sensed the congregation's sympathetic nods, barely audible sniffling and the tears that no doubt welled up while his own eyes were dry. He recalled another funeral when things had been different; a funeral when he, as a twelve-year-old boy, had to be led out of the church, and a distant aunt had tried to comfort him in the biting winter cold. Back then it had been his mother they were burying, dead at much too young an age, in everyone's opinion; but it wasn't until the following year that he found out why it happened. Not the existential why, but the raw, unvarnished reason: Marianne, Jon's mother and Luca's Danish wife, had committed suicide by throwing herself out of the sixth-floor window. It was unclear whether it was the cold outside the church or his own despair that had chopped up his sobs into a heart-rending stammer back then, but the experience of not being able to breathe had stayed with him, and he hadn't been to a funeral since.
At the priest's invitation, the congregation sang a couple of selected hymns before the floor was given to Iversen. Luca's faithful co-worker and friend picked up a stack of books from under his seat and stood up. He stepped over the wreaths on the floor and made his way to the pulpit. There he held the pile of books a couple of centimetres above the surface and dropped them so they landed with an audible thump. That provoked laughter, and the mood lightened after the exalted tone of the hymns.
Iversen's speech was a cheerful farewell to the man with whom he had spent the last forty years. He peppered his talk with anecdotes from their friendship, and readings from passages of the books he had brought along. Just as when he read stories to Jon as a child, Iversen captured the attention of his audience with a lively reading from The Divine Comedy, one of Luca's favourites. Then he continued with excerpts from the great classics, which everyone in the chapel seemed to know by heart. Even though Jon hadn't read these works, he was still moved by Iversen's interpretations and the evocative images blossomed on his internal canvas, precisely as they had when he sat on Iversen's lap in the leather chair in Libri di Luca, listening to stories about cowboys, knights and astronauts. When he closed his eyes, he could almost smell