us are. That should say something." He wasn't quite sure himself what it should say, he realized; but it sounded good.
Damien Philps, the arts and crafts dealer that Cade had mentioned to Schnyder earlier, was listening to Erya, the Hyadean educationist who was on her way back to Chryse, marveling at the powers of human creativity. Vrel and Dee were with them along with Wyvex, a colleague of Vrel's from the mission, who was currently collecting information on Terran art forms to satisfy the interest being generated back home. He was tall, even for a Hyadean, and had dark rust hair with orange streaks, cropped fairly short to a central point. Hair styling was one of the few modes of personal expression that Hyadeans seemed to permit themselves—maybe as a consequence of the wide natural variations of colors and textures. Although attired in the unvarying Hyadean gray tunic, he had made the virtually unheard-of concession of adorning it with a badge sewn on the breast pocket, showing a colorful Navajo design, proclaiming his newfound specialty on Earth. Apparently, it had never occurred to Hyadeans to ornament clothing and other objects for no other reason than pure aesthetics. The practice had begun catching on lately on Chryse, putting research like Wyvex's in great demand.
"Erya has discovered Terran classical composers," Vrel told Cade. "She's started learning the violin and wants to set up a music school on Chryse when she gets back. Do you know any teachers who'd be interested in emigrating?"
"I'm sure I could find a few," Cade answered.
" Ode is causing a sensation there," Erya said.
"So I heard." Ode to Joy was an exported Warner movie about the life of Beethoven. Cade thought for a moment. "How soon will you be going back?" he asked Erya.
"I'll be in LA for a week. Then flying down to Brazil a day before launch. Why?"
Cade's eyes twinkled, as if he were stretching out something suspenseful. "How would you like one of the actual violins used in the movie as a present to take with you?" he asked. He knew someone in Hollywood who he figured could probably swing it.
Erya stared at him disbelievingly, and then, evidently not knowing what to say, asked her veebee for a suitable expression. "You're kidding!" she told him finally.
Cade shrugged, not letting his amusement show. "I won't stake my life on it, but I'll see what I can do. We might be able to surprise you." Hyadeans found it hard to conceive of a simple favor. Everything they did seemed to be determined by some kind of intricate cost-benefit analysis that computed tangible gain. Their actions tended to be totally pragmatic, directed toward measurable "efficiency" with little feeling for any deeper value system. Maybe that was why they found Earth so incomprehensible and mysterious.
Wyvex spoke, looking at Erya. "There is a Hyadean called Tevlak, down in South America—in Bolivia, I think. He's very much involved in promoting Terran art back on Chryse. You ought to meet him before you go back—or at least talk to him if your schedule doesn't allow it."
"I'd like to," Erya said.
"I'll try to arrange it."
At that moment, Luke appeared with Henry in the archway from the front part of the house and signaled for Cade's attention. Cade excused himself and went over. Luke drew him through, away from all the attention. "We've got police at the door, and a Lieutenant Rossi from the ISS," he murmured.
Cade frowned. "What's it about?"
"Something to do with that aircar that was shot down near Washington this afternoon," Luke said. Cade sighed and went with them to the front door. Two men in suits were waiting, with figures in police uniforms standing behind and in the driveway. The smaller of the two introduced himself as Rossi. He had fair, sleeked-back hair, a thin line of a mustache, and that cold-eyed, dispassionate look that seemed to go with factotums of enforcement bureaucracies everywhere.
"As you probably know, Mr. Cade, four individuals were
Jeffrey Cook, A.J. Downey