Light strobed as the position and state of the body were documented by the crime scene photographer. They wouldn’t be allowed inside until every inch was recorded.
Amanda pulled out her phone and read her new messages as she walked toward the kill room. ‘CNN is here. I’m going to have to update the governor and the mayor. Will, you’ll take point on this while I’m hand-holding. Collier, I need you to see if Harding has any family. My recollection is that there’s an aunt on the father’s side.’
‘Yes, ma’am.’ Collier’s shoulder rubbed the wall as he followed at a distance.
‘Take off that hard hat. You look like one of the Village People.’ She checked her phone again. Obviously a new piece of information had come in. ‘Harding has four ex-wives. Two are still on the force, both in records. Track them down and find out if there’s a bookie or pimp whose name kept coming up.’
Collier stumbled to keep up as he left the hat on the floor. ‘You think his exes were still talking to him?’
‘Am I really getting that question from you?’ Her words obviously hit their mark because Collier responded with a quick nod. She dropped her phone back into her pocket. ‘Faith, run it down for me.’
‘Doorknob to the neck.’ Faith pointed to the side of her own neck. ‘It matches the other doorknobs up here, so we can assume the killer didn’t bring it for the purpose of murder. They found a G43 by the car. The action is jammed, but at least one round was fired. Charlie is running the serial number through the system right now.’
‘That’s the new Glock,’ Collier said. ‘What’s it look like?’
‘Lightweight, slim profile. The grip is rough, but it’s pretty impressive for concealed carry.’
Collier asked another question about the gun, which was manufactured specifically for government use. Will tuned him out. The gun wasn’t going to solve this case.
He stepped around some marked bloody shoeprints and bent down to get a closer look at the lockset in the door. The backplate was rectangular, about three-by-six inches and screwed to the door. It was cast, plated in polished brass with a heavily detailed raised design featuring a cursive R at the center. Rippy’s logo. Will had seen it all over the man’s house. He squinted at the latchbolt, the long metal cylinder that kept the door closed or, when turned, allowed it to open. He saw scrapes around the hollow square where the doorknob spindle was supposed to go. And then he looked down at the floor and saw the long screwdriver with the numbered yellow card beside it.
Someone had been shut inside the room, and someone else had used the screwdriver to gain entry.
Will stood back up to look at the kill scene. The photographer stepped across the body, trying not to slip in the blood.
There was a lot of blood.
Sprayed on the ceiling, spattered and splattered on walls, glistening against the nearly black criss-cross of competing graffiti. The floor was flooded, like someone had opened the spigot on Harding’s carotid and let it run dry. Light danced off the dark, congealing liquid. Will could taste metal in his mouth as oxygen hit iron. Underneath it all he caught a whiff of piss that for some reason made him feel sorrier for the guy than the doorknob sticking Frankenstein-like out of the meaty hambone of his neck.
In policing, there wasn’t a lot of dignity in death.
Dale Harding’s body was in the center of the room, which was about fifteen feet square with a vaulted ceiling. He was flat on his back, a big, bald guy wearing a cheap, shiny suit that wouldn’t close around his ample gut, more like a cop of his father’s generation than his own. His shirt had come untucked on one side. His red and blue striped tie was split like the legs of a hurdler. The waistband of his pants was rolled over. His stainless-steel TAG Heuer had turned into a tourniquet on his wrist because his body was swelling with the various juices of decay. A