silence behind me. âSorry. Canât seem to open this can of chickpeas.â
âPlease,â Johnny says. Though I am not watching him, I can just see the eager face, his awkward rise from the table.
âJim,â I say to the bushman. âWould you mind?â
âSure.â He joins me. I have a clove of garlic on the pan, sizzling quietly in olive oil. He takes the can opener from my hand. I donât think he believes me.
âJust drain them and throw them in the pan.â
âSure,â he says again. He is over six foot, and ripe for a woman. I hadnât noticed it before.
I dry my hands on the tea towel. Dora is engaging her now. Francesca says the name of the small town where I lived many, many years ago. I havenât heard it spoken in a long time.
âIsnât that near where youâre from, Lil?â
Dora has an inconvenient memory.
âDown that way, yes,â I reply. âJust turf them into the pan, Jim, thatâs the way. Give them a bit of a stir.â
âOh,â Dora says. Iâve railroaded her conversation.
Vincenzo saves it. âAnd what are you doing in our beautiful city? I hear you are an academic. Are you to teach here?â
âNo, Iâm researching for my doctorate. I am here to meet Australian artists who live in Europe. Exile and so on. And different influences.â
âAh, you are interviewing our famous writer! Lily, you are too modest as usual. You didnât tell us.â
âNo,â Francesca says, firm as a knife. She cuts Vincenzoâs enthusiasm dead. âNo, I donât do writers. Visual artists.â
I throw the steaming pot of pasta into the colander in the sink, and turn to face them as the water drains. Dora is gulping at her wine. She knows something is wrong. I suppose Iâll have to tell her. I might ring her tomorrow.
Johnny, ever-valiant, wades in. âBut you can take a diversion, a path off the main road. It might lead you down a rich mine. Or you could do an article, for a magazine.â
I say, âI donât think so, Johnny.â
His brown eyes look up at me like a puppyâs. âApart from anything else,â I say, âI was interviewed for some newspaper out there only a few weeks ago. Iâm sure you saw it, Francesca.â
âYes,â she says. She wonât take my gaze. âI did see it.â
Well, thatâs part of the puzzle solved.
âVa bene,â Johnny says. He raises his hands in surrender.
Jim says quietly to me, âWhat do you want me to do with this?â
âOh!â I have forgotten about him, stirring away at the chickpeas. âWe sling all of this together in a bowl. And you see the coriander in the glass of water there by the window? Throw in a bit of that, too.â
âLily, when you sit down, you must tell us about your new novel,â Vincenzo says. âMore wine, my dear?â It is Francescaâs glass he hovers the bottle over.
âShe doesnât like to do that, Vin. Do you, Lil? Youâd rather not talk about it,â Dora says.
âAh, a little hint, thatâs all we want. We do not want your secrets,â Vincenzo says.
Jim places the pasta bowl on the breadboard I had earlier put on the table for that purpose. I didnât even have to tell him. I carry over the salad.
âNow, sit and relax,â Vincenzo orders. âWe will help ourselves. Tell us what it is about, this new masterpiece.â
âOh.â I am truly sighing. I decide it is probably better to speak than not to speak. I gesture with my hand toward the food. Jim pulls out his chair as if to sit, but says to Francesca, âMay I help you?â He takes up strings of pasta between two serving spoons, all I have for the purpose these days, and she drives her plate across the table to meet it.
I catch Vincenzoâs eye. He eagerly awaits my next word, or so he would have me believe. âWell,
Terra Wolf, Holly Eastman
Tom - Jack Ryan 09 Clancy