on Piqay, it is known that he arrived there not long after leaving Aay, and left again soon after. No one was believed to be accompanying him at the time, but the dates roughly coincide with Muy’s arrival on the island.
The standard biography of the artist, The Epic Canvas of Dryd Bathurst by Chaster Kammeston, lists an astonishing number of women with whom the artist is known or believed to have had affairs. Esphoven Muy’s name is among them, but Kammeston does not go into details.
Although Muy lived and worked on Piqay for much of her life, it is with Aay that she will always be firmly associated.
A springtime breeze that Muy often noticed during the years she was living and working on Aay, now bears her name. The V ENTO M UYO is a light, warm zephyr, scented with the fragrance of the wild flowers that grow on the shallow cliffs to the south of Aay Port.
Aay is regularly served by inter-island ferries, but there is no direct link with the mainland. Standards of cuisine and visitor accommodation throughout the island are reportedly excellent. Seafood is a speciality. Daily guided tours of the Academy are available. Visitors require a visa and all normal inoculations – check with your personal physician before travelling. There are liberal shelterate laws, but property is expensive. Visitors should avoid the weeks of late spring as the föhn wind is most likely to be active then.
Currency: Archipelagian simoleon; Muriseayan thaler.
Annadac
CALM PLACE
One of the remotest islands in the Swirl, A NNADAC is situated close to the tidal anomaly that millions of years ago helped form the Swirl.
For the most part, continental Sudmaieure is an icy, snowbound waste, with only a few coastal strips adjacent to sea that melts for part of the year. There is, however, one peninsula, long and narrow, steep with mountains of volcanic origin, that extends to the north. This is the Qataari Peninsula, in the coldest part of which there are several glaciers, and these calve to the eastern side into the stormy Southern Midway. The turbulent combination of warm salty seawater from the Southern Oscillating Stream and the cold fresh meltwater from the drifting icebergs creates a churning and treacherous stretch of ocean, with a multitude of different currents. These, together with several thousand years of volcanism, threw up the hundreds of small islands that are now known as the Swirl. Annadac is one of these Swirl islands, far to the south and close to the continental mass.
With the coming of spring, a huge tidal bulge of water forms in the sea to the south of Annadac, every day, twice a day. This moves rapidly around the island. Over the centuries the phenomenon has caused serious coastal erosion and unpredictable weather patterns. The Annadacians are legendary for their forbearing and stoical nature.
Perhaps the most celebrated Annadacian of her era was the conceptual and installation artist named J ORDENN Y O .
From an early age Yo became enthralled by the rock and beach formations that had been created all around her island by tidal movements and gale-force winds. Yo came to believe that the island was in essence a permeable being, that it was alive in some mystical sense, and that it could be moulded to react to the elements. She became fascinated by this idea, latterly obsessed by it.
Some of her first installations were cairns or dolmens built on exposed hillsides, carefully situated to catch the light of sunset or sunrise, or to present thrilling silhouettes against the sky, when seen from the most commonly used roads.
Many of these cairns still stand today and are in the care of the Annadac Seigniory offices. Three in particular are of interest to visitors, because Yo set them up in a configuration that would modify the pressure and direction of the wind, and set up a series of dust-filled twisters to march and scatter across the flat land around.
The site is open all year round, but the best time to visit the