What matters, Marin says, is for the boys to see us and for us to see them. And since Marin’s skirts are shorter and since her eyes are pretty, and since Marin is already older than us in many ways, the boys who do pass by say stupid things like I am in love with those two green apples you call eyes, give them to me why don’t you. And Marin just looks at them without even blinking and is not afraid.
Marin, under the streetlight, dancing by herself, is singing the same song somewhere. I know. Is waiting for a car to stop, a star to fall, someone to change her life.
Those Who Don’t
Those who don’t know any better come into our neighborhood scared. They think we’re dangerous. They think we will attack them with shiny knives. They are stupid people who are lost and got here by mistake.
But we aren’t afraid. We know the guy with the crooked eye is Davey the Baby’s brother, and the tall one next to him in the straw brim, that’s Rosa’s Eddie V., and the big one that looks like a dumb grown man, he’s Fat Boy, though he’s not fat anymore nor a boy.
All brown all around, we are safe. But watch us drive into a neighborhood of another color and our knees go shakity-shake and our car windows get rolled up tight and our eyes look straight. Yeah. That is how it goes and goes.
There Was
an Old Woman
She Had So Many Children
She Didn’t Know
What to Do
Rosa Vargas’ kids are too many and too much. It’s not her fault you know, except she is their mother and only one against so many.
They are bad those Vargases, and how can they help it with only one mother who is tired all the time from buttoning and bottling and babying, and who cries every day for the man who left without even leaving a dollar for bologna or a note explaining how come.
The kids bend trees and bounce between cars and dangle upside down from knees and almost break like fancy museum vases you can’t replace. They think it’s funny. They are without respect for all things living, including themselves.
But after a while you get tired of being worried about kids who aren’t even yours. One day they are playing chicken on Mr. Benny’s roof. Mr. Benny says, Hey ain’t you kids know better than to be swinging up there? Come down, you come down right now, and then they just spit.
See. That’s what I mean. No wonder everybody gave up. Just stopped looking out when little Efren chipped his buck tooth on a parking meter and didn’t even stop Refugia from getting her head stuck between two slats in the back gate and nobody looked up not once the day Angel Vargas learned to fly and dropped from the sky like a sugar donut, just like a falling star, and exploded down to earth without even an “Oh.”
Alicia
Who Sees Mice
Close your eyes and they’ll go away, her father says, or You’re just imagining. And anyway, a woman’s place is sleeping so she can wake up early with the tortilla star, the one that appears early just in time to rise and catch the hind legs hide behind the sink, beneath the four-clawed tub, under the swollen floorboards nobody fixes, in the corner of your eyes.
Alicia, whose mama died, is sorry there is no one older to rise and make the lunchbox tortillas. Alicia, who inherited her mama’s rolling pin and sleepiness, is young and smart and studies for the first time at the university. Two trains and a bus, because she doesn’t want to spend herwhole life in a factory or behind a rolling pin. Is a good girl, my friend, studies all night and sees the mice, the ones her father says do not exist. Is afraid of nothing except four-legged fur. And fathers.
Darius
& the Clouds
You can never have too much sky. You can fall asleep and wake up drunk on sky, and sky can keep you safe when you are sad. Here there is too much sadness and not enough sky. Butterflies too are few and so are flowers and most things that are beautiful. Still, we take what we can get and make the best of it.
Darius, who doesn’t like school, who is