States. Scotland Yard canât go messing around in the affairs of American sheriffs.â
âHow bloody pompous,â she said, matter-of-factly.
He smiled. âItâs not really pomposity. I donât mean to be difficult.â
âWell, you are being. A few daysâ holiday in Philadelphia would make a change, wouldnât it? Naturally, Iâd pay your expenses. First class. Or take Concorde if you like.â
âThatâs not really the point.â
âOh, ho -hum, Superintendent.â She patted her mouth with the tips of her fingers, simulating a smile. âYou know, when Alex plays poker he uses an expression I like. âCalling in markers.â â Her smile was bewitching, turning the face of this elderly woman into that of a much younger one.
âUh-huh. You getting this, Wiggins? Bribing a police officer?â
âPardon, sir?â
âConsidering all the work I did for you at Castle Howe . . . well.â She smoked, regarding him. âWith a great deal of help from Mr. Plant. How is he? Such a clever man.â
Jury smiled. âYes. He is. And so I take it, Lady Cray, youâre callingââ
âCalling in my markers.â
6
Staring through the plate glass window of the Starrdust, Wiggins was munching on some vegetarian melange he had bought over at Cranks in Covent Garden, and trying to muscle his way closer to the window and in between a little boy with spiky hair and a small girl wearing big glasses that dwarfed her face.
âWould you just look at that, sir?â
The Starrdust Twins, Joy and Meg, had outdone themselves with this window dressing. It was a replica of Covent Garden Marketânot the new one that lay just over the street, with its collection of boutiques, health food restaurants, and space-age neon places, but the nineteenth-century marketplace. Jury felt a wave of nostalgia as he looked at the fruit and vegetable stalls, spilling over with tiny cabbages; at the floral hall and the flower sellers; at the miniature figures of porters balancing baskets on their heads or pushing carts. He could almost feel the bustle, smell the fish and gameâtwo acres of it.
The Starrdustâs owner was an astrologer and antiquarian; given that the shop dealt only in celestial, astrological, or otherwise otherworldly matters (not the least of which were the fortunes told by Carole-anne Palutski in her silken tent), Jury wondered at this backwards look into Londonâs history. And while he was wondering, the scene changed from light to dark as the scrim, all but invisible until now, rose on a night scene of little dark streets, a square with a horse-drawn carriage, and gaslights.
All the children gasped and applauded. This included Wiggins.
To enter the Starrdust was to step not back in time but out of it, much as if one were walking through a doorway open on nothing else but sheer blue sky and brilliant white clouds in a surrealistic painting. Light flowed and winked from the ceiling-sky, across which spilled a backlit Milky Way and planets which lit up and faded as the hidden lights brightened and dimmed. The shop was long and narrow, and the farther end was in total darkness except for the blue neon sign which spelled out âHorrorScope.â This must be a new sign, one Andrew Starr had made for the Wendy-house-like structure at the rear of the shop, which was the childrenâsfavorite part of the Starrdust. Starr was a man in his late thirties chronologically, but one who seemed never to have grown out of childhood. Perhaps this was why he was the only shopkeeper Jury knew who never tossed unaccompanied kiddies out the door.
âSuper!â
Out of the darkness walked Carole-anne Palutski, carrying a plate with a huge slice of coconut cake that she forked up as she advanced. âWant some?â She held out a forkful.
âNo thanks, Madame Zostra. You look gorgeous, as always.â
Madame